Above: Shot with a Nikon D3, with a 14-24mm f/2.8 lens (at 15mm) at ISO 200, at f/7.1 at 1/5 of a second so I could capture a little movement while he was spinning the fire sticks. Click on it for a larger view).
Hi Gang: I just got back yesterday from a nine-day vacation with my family in Maui, Hawaii, and I’m tan, rested, and ready to tackle the busy end of an amazing year (OK, the tan part is a bit of a stretch. I spent most of my time tucked safely under an umbrella poolside or by the ocean).
I didn’t do a lick of work while I was out there (Matt, RC, and Brad covered for me on the blog), and so I just hung out, relaxed with the wifey and kids (and my brother who came along), read a book on my iPad (“At Home in Mitford” by Jan Karon—a really terrific book—the first in a series of Mitford books).
In fact, I relaxed so much, I hardly took any photos (except of the kids, of course, mostly with my new 85 f/1.4 which is just flat out amazing). I did go out shooting twice while I was there. Once with my buddy Randy Jay Braun, who is a fantastic Maui-based photographer (if you see a really amazing post card in any store in Maui, it’s almost a lock Randy took it—at least, everyone cool one I picked up was taken by Randy. Here’s a link to Randy’s site).
Randy lined up a sunset shoot featuring traditional Hawaii hula dancer and a Hawaii Fire Dancer. The original guy Randy had lined up, couldn’t make it, but we got incredibly lucky to wind up with Martin Tevega, a two-time champion, and amazing Fire dancer (and one bad dude, who was actually incredibly nice and fun). (Above: I took this portrait of Martin before we really got into the shoot, using an 85 f/1.4 lens at f/1.4).
(Above: 14-24mm f/2.8 lens (at 14mm) at ISO 200, at f/7.1 at 1/200 of a second).
Now, Randy freaked me out by saying “Hey, we should try something like Joe McNally did with a flash using a rear sync and a slow shutter speed for the cover of his “Hot Shoe Diaries” book.” I just had to shake my head and laugh, ’cause only Joe McNally can pull off Joe McNally type of shots. So, I steered pretty clear of that, and came up with the shot you see at the top of this post, and the one above, lit with just one SB-900 flash, mounted on a light stand, with just a diffusion dome over the flash head (no softbox or umbrella) with a 1/2 cut of CTO gel on the flash.
It was kind of tricky, because although we were lucky to have Randy’s assistant Mohalapua (“Mo” for short”) helping us, it was Randy, his friend Jason, and I all sharing one SB-900 flash (I had to use the second flash to trigger the one flash we had on Martin), but Jason and Randy were able to use the pop-up flashes on their camera’s to trigger the SB-900 (D3’s don’t have a built-in pop-up flash). So, one of us would shoot, then the next, then the next, and of course sometimes we’d accidentally trip the others flash, and well….it limited how many photos we could take, as we raced the sunset, and two different subjects.
(Above: This was shot with my 85mm f/1.4 lens, at f/1.4 using natural light, and a gold reflector, held by Mo, just off to the left to fill in some shadow areas. You can see the effect of the reflector when you click on the photo to see a larger version. Nothing really done in post production but sharpening).
Before Martin got there, Randy arranged to have one of his favorite subjects, Kamie, there so we could shoot her doing some traditional Hawaii dances on the beach. At this point, we were just using natural light and a gold reflector to match the color of the light from the setting sun.
Above: Same lens, but I wanted the background in focus so I changed my Aperture to f/10.
I only did three things for the post processing of the silhouette shot above:
(1) I applied the Lightroom Develop module preset “Color Creative – Yesteryear 1” that comes with Lightroom.
(2) I lowered the Brightness slider amount a bit
(3) I cropped the photo using my “Cinematic Style Cropping Technique” (link).
Thanks to Randy and Mo, for setting up such a great shoot, and to Kamie and Martin for being such wonderful, and patient subjects for our portraits.
My Other Shoot
On the way to dinner at Maui’s famous “Mama’s Fish House,” (my wife’s favorite) I passed a line of trees on the side of the road, and I made note of where they were so I could go back and photograph the first one in one of the rows, so I could isolate it from the others.
Here’s the shot I got, cropped once again using my Cinematic Style cropping.
Luckily, I did think to take a couple of shots (seen below) from where I took the shot, so you could see how glamorous this type of location shooting can be. ;-) We stopped across the road from the tree I wanted to shoot (seen below), and I set up my tripod amid the very windy conditions that day, and spent about five minutes taking the shots.
(Above: This is the view from where I was shooting. From this point, it was just composing the shot so you didn’t see the tree to the right of the tree on the end. In post, I didn’t like my in-camera white balance, so I dragged the WB tint slider to the right, and increased the Recovery slider to 100 to bring back detail in the sky I also lowered the Midtones quite a bit to darken the sky).
So, from the two shots, I got a few shots I kinda like, but honestly I enjoyed my time doing pretty much nothing but reading my book, hanging with the family (We took breaks from the pool/beach and saw Disney’s “Tangled” which was awesome), and I played a round of golf at a really great course; the King Kamehameha course. We pretty much had the course all to ourselves, and it was just about a perfect day of golf.
(Above: Walking back from taking photos of the kids, I saw this water lily in a pond on the hotel property, so I snapped a few quick ones. Turned out better than I thought).
Printing from the Airport
As we’re sitting in LAX, my brother shows me a photo he took on our last family vacation with his Canon EOS Rebel 2Ti DSLR.
It was a simple ocean shot (shown above), and he wanted to print it big on canvas (60″x 40″), and he was thinking of sending it to some canvas printing place I had never used, so I told him he had to send it to Artistic Photo Canvas. I had him email me his shot, and I uploaded it to APC while we’re sitting there in the airport, waiting to board our flight to Hawaii.
When we got home yesterday, the printed Canvas had already arrived, and he sent me this iPhone photo of it hanging on his wall. He absolutely loves it, and said APC did a fantastic job—as I knew they would (APC did all the prepping of the photo for printing on canvas, including all the edge work, and shipped it directly to my brother).
All Good Things….
As much fun as it was to go, it’s always great to get back home, and I’m back at work today after a wonderful, restful vacation. The kids had a ball. My wife had a ball. I won a buck off my brother at golf (of course, he gave me some strokes), and overall had an absolutely relaxing, fun, wonderful time with lots of laughs, and lots of hugs from the kids. Now, it’s back to work—I’ve got a book to finish! :-)