Category Archives Photography

Join RC Concepcion and me in this free online Webinar, where I’ll be Lighting, Shooting, and Retouching LIVE online and taking your questions, all based on my brand new book (from Peachpit Press) called, “Light it, Shoot it, Retouch it!” (The book inspired by the live tour).

Here’s all the details:

When: Today  at 3:00 pm EDT (Online time zone converter here: link)

Where: Right at this link:

Cost: It’s Free! Just register at that link above then be there at 3:00 pm today!

Plus, we’ll have special offers on the book and other goodies, and we’ll do a giveaway or two, and I promise to make it fun, informative, and I’ll share lots of tips and techniques with everybody live.

I hope you can make it (and I hope you’ll pass the word on to your friends so they can join us, too!).

See you this afternoon, live! :-)

(Above: Bucs wide receiver Michael Williams takes the field before last Monday night’s win against the Colts. However, I rather not discuss last night’s game against the 49ers. Uggh!).

Shooting Monday Night Football is always a blast, but getting to shoot in my own backyard (at Tampa’s Raymond James Stadium) makes it that much sweeter! I even got one shot I actually like — the one you see above, which I posted on Google+ after the game, and as it turned out, it got featured on the site as one of their “27 Top G+ Photos” daily photo picks. I’ve been checking out their daily list for a while now so I was totally psyched!

Above: To be able to show the top banner of their site, and my featured photo (which actually appeared much further down the page) all on the screen of my 15″ laptop screen took a bit of Photoshop magic, but I did get it done (as seen above). Thanks to the folks at for including my image—I am truly honored!

However, the shoot wasn’t without its lowlights as I had a blunder or two that left me shaking my head at some simple mistakes that made me miss a few key moments. I was not a happy camper.

Mistakes Were Made
Every time I see the shot above, I cringe. I was in the perfect position—in the end zone right in front of Bucs Wide Receiver Preston Parker as he stretches across the goal line for the score. A clear, unobstructed view. No refs or video cameras in front of me. I had already switched to my 70-200mm lens. I was right on him—It was perfect!

Only one problem: At some point my thumb must have hit my front dial (or it hit my leg while running down the sidelines) which changed my f/stop from f/2.8 (where I leave it all night) and it changed to f/3.2. This lowered my shutter speed from 1/1000 of a second or higher (which freezes the action for tack sharp images) to 1/500 of a second, which doesn’t (and this photo above isn’t). You should be able to read the words “NFL Equipment” on his glove, and you can’t. I missed nailing it because I didn’t keep an eye on my f/stop while looking through the viewfinder. I ‘assumed’ it was still at f/2.8. Uggh. There’s no excuse for that.

(Above: I thought I’d share a few of my favorites from the shoot, mostly shot with my 400mm at f/2.8 so they’re pretty sharp, before I get back to my epic fail #2).

(Above: I liked this one because of the way they’re on the far left of the frame, but his arm is extending out, and I like the tape on his hands. Just something about it).

(Above: He doesn’t have the ball, and there’s no action on the field, but this one has meaning for me personally — he’s my favorite player, Buc’s Cornerback Ronde Barber, about the last guy left from our 2001 Super Bowl winning team. A very classy guy, future Hall of Famer, and twin brother of Tiki Barber. I like the way he’s framed between the goal posts. The pink compression gear and gloves are to honor Breast Cancer Survivors).

Epic Fail #2
I was in perfect position once again, late in the game (this is when most folks saw me on TV. It’s when LaGarrett Blount caught a short screen pass, then broke down the sideline for the score that eventually won the game for the Bucs. I was at about the 7-yard line, and they were back at about the 30 or so. I was still shooting my 400mm (I like to get in really, really tight), but when he came running right toward me, I should have immediately switched to my 70-200mm lens, but I didn’t. I don’t know why. I just kept shooting the 400mm, and he ran right in front of me, and there’s no way that 400mm could possibly focus that close.

(Above: here’s what it looks like when you try and shoot something two feet in front of you with a 400mm lens. Yup, that’s him running right in front of me for the big score. Nice job!)

Once I’ve safely missed “the shot of the game,” LaGarrett is finally far enough away from me that I can at least capture a celebration shot. Of course, I still hadn’t switched to the 70-200mm, so even my celebration shot is ho-hum (as seen below).

(Above: I’m not going to win the “best post-score celebration dance” shot with this one. I won’t even win Mr. Sideline Congeniality).

It gets worse
o I missed the score, muffed the celebration, but for reasons I don’t deserve they are going to give me a third chance — his teammates run into the end zone for more celebrating, and it looks like they are going run straight up the sidelines toward me, celebrating as they go. I quickly switch to my 2nd body, the one with the 70-200mm attached (finally!) as they stop literally right in front of me as they are getting totally pumped up and hitting each other on the shoulder pads and helmets and there’s all this raw emotion unfolding right in front of me, and I finally have a chance of capturing it. I can’t miss this one, right? Right?

(Above: Of course, my 70-200mm was extended out to 200mm, so if I had thought enough retract back to 70mm, I would have had some really great shots. Instead I got this. Sigh.)

I just stood there on the sidelines laughing and shaking my head at my triple-play of blunders. I had to laugh because at that moment I was considering taking all my gear and throwing it on the field in a heaping mess and setting fire to it. I should know better. These are silly mistakes to be making, but I made ’em and they are what they are.

Worse yet: lots of people saw me on TV (EPSN broadcasts Monday Night Football live) and they saw I had the perfect angle on the shot (see below). People were texting me just seconds later saying “Tell me you got that shot! You had to get that shot!” and so on. I just stood there still shaking my head while contemplating changing my cell number. I didn’t text anyone back.

Experience is the best teacher
I’m going to take my mistakes, learn from them, and move on.  I’ll be much faster to switch bodies next time, and I’ll keep a better eye on my f/stop throughout the game. Better yet….I could use the settings LOCK on my camera, so I don’t accidentally change them as I’m running up and down the sidelines, where my 2nd body is banging against my leg as I run. Now there’s an idea! ;-)

Here’s a few more of my favorite shots from the game, just so I don’t end on a low note. :)

(Above: That’s Buc’s Wide Receiver Arrelious Benn taking it in for the score. What I like most about this shot is the fan on the sidelines signaling the imminent touchdown. What I like least is–the play was called back because he stepped out of bounds before catching the pass and was the first player to touch the ball).

(Above: The Colts Score!!!! I was a bit back on this one, so I had to crop in a bit).

(Above: I caught this one as the Bucs were coming out of the tunnel to start the game).

(Above: One of my favorites because there’s a much bigger story here — a Colts Defensive Lineman is seriously injured and lying on the field just beyond the ref. His ankle is turned in a position you never want see anyone’s ankle, and it’s the kind of gruesome injury that can be career-ending. These Bucs players take a knee to pray for the fallen player, even though he’s on the opposing team. It was silent in the stadium).

(Above: That’s not the only time you see players praying at the game [and not just when they’re behind in scoring]. Right after the game, at about every football game I’ve ever shot, a group of players from both teams gather at center field; take a knee, join hands, and a player or coach leads them in prayer, thanking God for their safety, the health of any injured teammates, and for the privilege of getting to enjoy this amazing sport and walk away from it to play another day. It’s a very touching moment. I take a few quick shots at the start, and then I bow my head right along with them).

(Above: That’s the injured player, Colts Defensive Tackle Eric Foster being carted off the field. You never, never want to leave the field in a cart, but he was pounding his chest and letting the crowd know that while he won’t be back tonight — he’ll be back, and he’s with his team in spirit. They only showed it once, but for a brief moment while Eric was lying on the field in agony they showed a camera view of his ankle, turned all the way around the wrong way, on the big HD screens in the stadium, and you heard 70,000 fans simultaneously cringe and go “ohhhhhhhhhhhhhh.”)

(Above: Here’s one for the road. This is the kind of sharpness I’m looking for — the same sharpness sports photo editors are looking for. If the image is a little soft, it doesn’t make their cut).

(Above: In Photoshop I zoomed in tight on the image before this one just so you can see what I mean when I say it has to be tack sharp. See how you can clearly read the words “NFL Equipment?” That’s tack sharp! That’s what I’m shooting for every time. I don’t always get it, but that’s the goal. Don’t worry — I’ll nail it next time!). :-)

P.S. Camera Settings: Both cameras should have been set to f/2.8 all night. My main body was a Nikon D3s set at 1,600 ISO all night, with a Nikon 400mm f/2.8 lens on a Gitzo monopod. The 2nd body was a Nikon D3, also at 1,600 ISO and f/2.8 with a 70-200mm f/2.8 zoom lens.

P.S.S. Congrats to my readers: Todd Sloan, Josh Whiting and Matt Leitholt who won a signed copy of my new book, “Light it, Shoot it, Retouch it” for being the first to post of  photo of me as seen on their TV as they spotted me on the sidelines during the live broadcast. We’ll be contacting you later today. :)


Matt, RC Concepcion and I put together a short Kelby Training Online class with some handy tips for photographers on making the most of Google+, and we hope if you’re on G+ you’l find it helpful.

The two part online class is FREE (you can watch it here), and although it’s named “10 tips” we actually snuck in a bunch of other “mini tips” within the main topics. This is really aimed at photographers who are new to G+, but even if you’ve been here a while I hope you pick up a tip or two that might help.

Also, we did a special Part 2 of this class (above), where we did a live Google+ Hangout with some of the most popular, most interesting, and most successful photographers on Google+. You’ll hear from +Trey Ratcliff +Mike Wiacek +Catherine Hall +Alex Koloskov
+Scott Jarvie and +Brian Matiash

Really insightful stuff and it builds on what we covered in Part 1. They cover everything from how many times they post a day, to what kind of posts they do, and their tips for photographers on using G+. Really a great session.

OK, I am super psyched because tonight I’ll be shooting on the sidelines at the Monday Night Football Game between the Indianapolis Colts and the Tampa Bay Buccaneers at Raymond James Stadium in Tampa.

Monday Night Football is a grand sports tradition here in the USA, and it’s broadcast nationwide (as its the only pro football game that airs on Monday night—-all the rest play on Sunday), and I know a lot of you will be watching, so I thought I would create this handy “Scott Spotting Guide” just in case I get creamed by a receiver (or if Josh Freeman breaks my monopod). ;-)

Brad Has Re-Pimped Out my Monopod
To make “Scott Spotting” easier, Brad has removed the red flames tape and replaced it with bright yellow tape around the top section of my monopod, so if I show up on camera (which I do from time to time), you’ll be able to see that it’s me. Oh but there’s more…

Adding a Colorful Ballcap
I went to my closet to find a colorful ball cap to help make me easier to spot, but as you can see in this iPhone photo, apparently all I have is black ball caps. So, I went to the mall and picked up the red ballcap you see in the photo at the top of the page at a Sporting Goods store. So, red ballcap and yellow monopod. I’ll look like a small firetruck with a 400mm lens.

Where I’m likely to be on the field:
I generally shoot from these two areas:

(1) The End Zone (there’s less chance of refs, the chain gang, video crews, and the guy with the giant blue parabolic mic walking in front of your shot)

(2) Between the 15 yard line and the goal line.

I also go out on the field immediately after the game to grab a few close-up shots of players celebrating / agonizing at center field. I’d be shooting something more wide angle at this point.

Let’s make it interesting
The first three people who taks a photo of their TV Screen where you can see me, and post it either to my Facebook page (link), Tweets me with the photo (link), or posts it to my Google+ page (link) gets a signed copy of my new book, “Light it, Shoot it, Retouch it.”

If I get flattened by a player during the game, the first person to visit me in the hospital (besides my wife), gets my entire CS5 Photoshop and Photography book library. I’m hoping we don’t have a winner for this one.

Can’t wait to share the shots with you guys tomorrow (provided I get any decent ones). Have a great Monday, and we’ll see you tonight. Well, you know what I mean. :)

Yesterday, in my post about my first football shoot of the year (link), I mentioned that if some of the players wind up in the shade, that I remove the blue tint that appears over anything white (like their jerseys, helmet, the stripes on the ball, and so on) in Lightroom (or Camera Raw). Anyway, I had a few questions about it, so I thought I post a quick tutorial. Here goes:

Above: Here’s a great illustration of the problem: when the team winds up on a part of the field that’s covered in shadows (as seen here), their white jerseys (and anything white for that matter) get a deep blue tint over them. However, you can see from the photo, that in a few seconds part of the team will be running in the daylight in front of them, which puts part of the image in shade, and part in daylight, which creates the double-white balance problem).

STEP ONE: In Camera Raw (shown here) or in Lightroom’s Develop Module, get the Adjustment Brush, then over in the Adjustment Brush panel on the right side, lower the Saturation amount a bit (as seen here), and set everything else to zero. Now, with the Auto Mask checkbox turned on, start painting over the white parts of the player’s jersey’s (here’s I’m painting over #67’s jersey and pants, and you can see the blue is going away as I paint.

STEP TWO: Continue painting over anything that’s tinted blue (here I painted over all three players in white, but to finish this off, I’d have to paint over the “5” on #5’s jersey as well. Now go and compare that with the image at the top of this post and you’ll really see the difference.

STEP THREE: Of course, since they’re in the shade, the whole image is really dark, so you might want to increase the Fill Light quite a bit, and the Exposure a little bit (as seen here), so the players aren’t “in the dark..”

(Above: Here’s the typical type of shot you’d have to apply this technique to—where part of the action is in daylight [one white balance] and part is in shade [they look too blue]. If they all stayed in the shade, you could just change the overall white balance, but for some reason you can’t get these guys to stay put. ;-)  ).

That’s all there is to it. Hope that helps.