In Case You Missed It: Jaw-Dropping, Heart-Stopping, Eye-Popping Photoshop Effects
Join Unmesh Dinda and take your Photoshop skills to the next level! This class is jam-packed with tricks and techniques that will make your jaw drop. You’ll learn how to retouch any surface without damaging texture, how to selectively apply blur for dramatic effect, how to scale a photo without damaging the main subject, how to automate actions to work faster, how to gain unlimited filters through the Gradient Map, and so much more. Unmesh has a great knack for making complicated techniques simple and approachable, and he even provides files for you to download and practice with as you learn. By this end of the class these lessons will serve as a go-to reference to come back to anytime you need a refresher.
When my family and I were searching for the perfect puppy, my wife thought we were buying him for our children and as a household companion. Little did she know that I had a hidden agenda. I was on the hunt for the perfect stock model. While she was worried about temperament and overall health, my only requirement was that he be photogenic. Hold your judgment; Hudson is by far my best-selling model earning me thousands of dollars, and his modeling fee is just one piece of popcorn.
It’s not just my dog. No one in my life is safe from my camera. My wife, my kids, friends, cousins and co-workers, really anyone who happens to be in my line of site. A few years ago my dad broke his leg on a walk. He was rushed to the hospital and as I drove to see him I was worried about the poor guy. All that worry disappeared when I entered his room. The first thing I saw was floor to ceiling windows…the light was beautiful! I thanked my dad for the great stock photo op and started shooting away. It doesn’t matter what the situation is, I’ve always got stock on the brain.
Stock photography has been an effective way for me to supplement my income as a professional photographer. For the past 10 years I have been focused on shooting celebrity-based entertainment events in the Pacific Northwest and around the world. I love this work as it presents so many unique challenges and diverse opportunities leaving me rarely bored. Every week is different whether it be in a photo pit for a concert, on a red carpet for a film premiere or festival, snapping portraits of various movie stars, musicians or whomever.
When I find myself with a bit of down time I shoot stock. Not only does it allow me to push myself creatively and try different styles and techniques, but more importantly I enjoy the constant revenue stream it creates for me.
My stock portfolio is generating income 24 hours a day, 7 days a week. I love waking up to sales notifications. I made money in my sleep! Here is a crazy fact about my portfolio. I have earned more money on this image of jellybeans than any celebrity image I have ever taken. I know what you must be thinking…well yeah, this jellybean shot is incredible! Right?…….
In my commercial stock portfolio, I have found the greatest success with general lifestyle imagery featuring real people, like my family and friends doing real things in real situations. It’s easy to upload and keyword images and videos for Adobe Stock, and the content is usually online within a day or two. My day-time career is to be an Evangelist for Adobe Stock, so of course I’m biased towards our service. But I was already submitting to Fotolia before it was acquired by Adobe, and you could say I’ve been walking the walk a lot longer than talking the talk. Anyone can create a contributor account and submit to Adobe Stock simply by signing in with an Adobe ID on the Contributor Portal.
What should you shoot you ask? Let me answer that question with another question. What do you love to shoot? There is a huge market for authentic and diverse stock content. Whatever you are passionate about is where you should start. Shooting stock has become a part of who I am and is top of mind whenever I have my camera in hand. If you haven’t already given it a shot (pun intended) I highly recommend you do so. Good luck!
Hi, everybody! Sorry I’ve been so silent here on the blog for the last, or 12 days or so. I’ve been in France and London, and the pics above are from my Father’s Day dinner last night in London with my son (center) and two absolute strangers, better known as Dave Clayton and Peter Treadway. Top men for sure! Well, Dave did the whole walrus thing, but outside of that, top men.
I have so much to share…..
So many pictures and stories, but just about none of it is ready (I still have a ton of images to go through, and a Spark page to create, and hopefully I’ll have all that on Friday with any luck).
Spent a glorious Day with Dave Williams
Yes, that Dave. The “Capture with Dave” Dave. The Dave of “Travel Tuesdays with Dave,” Dave. We shot all over town; had a marvelous burger at “Honest Burger” and just generally had a ball. Dave is a boss! In fact, he has “the keys to London.” (wink).
I got to spend a week in France with one of my favorite people — Mimo Meidany. Incredible photographer. Long exposure master. Composition master. Yes, all of the those, but one of the nicest guys on the planet, too. My son and I loved getting to hang out with him (it was my son’s first time meeting him, and he’s a Mimo fan now, too!).
OK, I gotta run. I am heading home today, and I’ll catch you up on all the other stuff soon, but I just wanted to let you know where I’ve been, and that I’m heading home. Can’t wait to see my girls! (Kalebra, Yittle, Maggie and Maki). :)
Introduction to Digital Painting in Adobe Photoshop with Victoria Pavlov
Learn how to get started as a digital painter in Photoshop with Victoria Pavlov! Whether you’ve painted before or are just getting started, this class will give you the foundation you need to add digital painting to your skillset. Victoria guides you through setting up your workspace for painting, organizing your brushes and brush presets, and introduces you to Creative Cloud libraries before diving into the art of painting itself. There are lessons on starting a digital painting from scratch, digital painting for photographers, and tips and techniques for making your paintings more visually interesting and engaging. By the end of the class you’ll be much more comfortable in your digital photography workflow.
In Case You Missed It: Painting Portraits in Corel Painter
Turn your photographs into beautiful paintings! Join Heather the Painter as she introduces you to Corel Painter, and shares her tips and workflow to show you how to easily create custom paintings from your photos. Using a Wacom tablet for greater control and a natural brush stroke, Heather starts with an orientation to Painter, how to customize brushes, and how to configure your Wacom tablet for optimal settings. From there she expertly steps you through her workflow as she transforms a portrait photograph into a stunning painting. Whether you are painting for yourself or your clients, you’ll have a great foundation for getting the most out of Corel Painter.
As the title implies, it more than just a photo book. It’s travel guide to one of the most beautiful places in the United States, if not on the planet.
We’ll start with a few of Rick’s tips, for digital SLR and mirrorless shooters (he uses a Canon 5D Mark IV and Canon EOS R), followed by Susan’s tips for smart phone (she uses an iPhone) photographers. We’ll add the locations, too!
Here we go!
Silhouettes Are Sweet
Silhouettes are fun and creative to shoot, because they have a sense of mystery and wonder. To prevent overexposed highlights, which is easy to do at sunset and sunrise, set your exposure compensation to -1 . . . for starters.
Pack A Telephoto Lens
In addition to offering breathtaking scenic opportunities, which you’ll capture with your wide-angle lens (I recommend a 16-35mm lens), the Oregon Coast also offers wonderful wildlife photo opportunities. For close-ups of the animals, you’ll need a telephoto lens. This photograph of a mother seal and pup was taken with my Canon 100-400mm lens, which is my favorite wildlife photography lens. You’ll need that 400mm focal length because in many cases, you can’t get close to the animals.
When You Think You Are Close, Get Closer
I used my Canon 15mm fish-eye lens to capture all the sea stars on this huge, mussel-covered rock. The image has impact for two main reasons: interesting and colorful subjects and because I was photographing very close, maybe about two feet from rock. The concept of getting closer does not always work, because “negative space” can be nice, too. But give it a try and see if your image looks more dramatic with a closer perspective.
High Dynamic Range photography is needed to capture the entire brightness range of a scene with very high contrast. Basically, you take a series of pictures at different exposures at, over and under the recommended exposure setting, and then use an HDR program to merge the images together into one dramatically exposed image.
Slow It Down
For creative seascape photographs with silky-looking water, you need two essential accessories: a neutral density filter (ND filter) or set of ND filters, and a sturdy tripod.
ND filters reduce the amount of light entering your camera, allowing you to use slow shutter speeds – from ¼ of a second to several seconds or even minutes – even on bright days. You need a sturdy tripod to steady your camera during long exposures.
Variable ND filters let you “dial in” the light-reducing effect, usually from 8 to 10 f/stops. Fixed ND filters come in different grads, 3, 6, 10 and 20 f/stops. I use only fixed ND filters. Why? Because variable ND filters can produce a dark band or circle in the image when using a wide-angle lens. Sure, a set of fixed ND filters is more expensive than a variable ND filter, but the quality and results are worth it.
And Now From Susan:
Spice It Up with Lens Flare
Here is a before-and-after pair of images that illustrates how apps can enhance a scene. Here I used the LensFlare app to transform a shot with flat lighting and color into a dramatic black-and-white image with cool blue light beams radiating from the light.
Make Beautiful Black and White Images
Converting color photos to black-and-white images can make them look more dramatic. The app Dramatic Black & White gives you lots of options including regular Black & White, Dramatic Black & White and Infrared. The day I took this photo of Spouting Horn, near Thor’s Well in Yachats, it was very sunny and everything was evenly lit. I selected one of the Dramatic Black & White presets to increase contrast and make the splashing water look more powerful against the rocks.
Sometimes a clear and cloudless blue sky is not the best background for a beach scene. To break up the uniform color and make your image more compelling, try adding a cloud effect found in the app Distressed FX. I use this app to add texture and to boost color using the Original Overlays pack. After you purchase the app, you can buy more options. Wonderful clouds are found in The Heavens pack, such as the Waving cloud effect I added to my Bandon Beach image. In this case, I was going for a realistic look.
Touch Up with Textures
Nothing transforms a photo like adding texture. Make your photos look more artistic by using photo apps to add color and texture . . . just like a painter! The app Brushstroke is very easy to use. Select a photo and then test the presets in different brush stroke categories including oil, washed and natural. Keep clicking until you see something you like. I chose a Simple style brushstroke for this photo of the Coquille Lighthouse in Bandon.
I have two tips that have to do with reflections. One: Compose your pictures with the reflections in the foreground Two: Reflect on the beauty of the Oregon Coast, and how lucky we are to have such a beautiful and accessible natural area to explore and photograph.
Well my friends, we hope you can make it to the Oregon Coast someday. We are happy to be your virtual guides via the pages in the book.
Hi all! It’s #TravelTuesday here on Scott Kelby’s blog and that means I’m here to lay down something from the world of Photoshop, photography, travel, and life. Today is no exception! I’m Dave Williams—let me tell you a sad story.
There’s a shot I want to get so bad. It’s here in the UK and it’s dangerous! I want to get out on the water of the English Channel to shoot the Beachy Head Lighthouse from the sea. The problem, however, is that where there’s a lighthouse, there tends to be a reason! The lighthouse is accessible from land about 1.5 miles west or 2 miles east because of the high cliffs behind it. The only way is to launch from one of these two points and going via the water.
The shot will look amazing. I want to get a wide shot with the stereotypical red and white lighthouse centre-frame and have the enormous white cliffs taper off in either direction, and I want it at sunrise. I’ve tried to get this shot three times and failed. Here’s what happened: –
The first time I had an inflatable kayak. I drove through the night (it’s a 170-miles round trip) to arrive in time for sunrise. I was there on time and the twilight gave me the blue hour, so I hauled my gear—the kayak, life vest, paddle, waterproof bag with camera and drone—down a dead-steep hill to the cliffs and then down the cracks and ledges in the limestone, and was at the water’s edge about 15 minutes before dawn. The water was rough and I walked along the tide line trying to find a safe spot. The water was just too rough, though, for an inflatable kayak and there was no safe place to launch, so I had to turn myself back around and carry everything back up that insanely steep hill, back to the car, and try again another day. My legs were burning from lactic acid with all that weight on such a steep hill, and it was all for nothing.
The next time I quit halfway there, the weather report changed and it wasn’t even worth going. That’s two goes, and a couple of days ago was attempt number three. I left home before 1:00 a.m. to make it down to the coast. First light was forecast at 4:00 a.m. and sunrise at 4:46, so I had to get there with plenty of time to get in position. The first challenge I had was, with this attempt being at the other location, I needed to carry the rigid kayak I’d got down the stairs to the stone beach I’d launch from. It wasn’t light!
The next challenge was the launch. All the planning I’d put in by checking weather, wind, tides etc., was telling me there’d be a high neap tide with low wind, which tends to suggest the waves will be minimal. What I actually faced was something altogether different: –
The waves were enormous, but I pushed on. First, I put the kayak at the water’s edge and climbed in with my waterproof bag between my legs. But, before I could get the spray deck attached, the water swept over me and flooded me out. Unperturbed by this setback (as is my nature), I pulled the kayak back, turned it over to empty it out, and tried again. The second launch wasn’t all that much better though, turning me sideways and showing me the sheer power of the water. I was done in again by the sea and gathered everything back together to try again. Third time’s a charm, right? Unfortunately not. This time I’d managed to get settled and get the spray deck attached in time for the first big wave to come in and hit me, but the power of the sea was still just too much and I was fully inverted. I had to give up.
When I said this shot was dangerous, I meant life-threateningly so. I was cold and drenched through every layer—the sea had beaten me and I still don’t have the shot! Shame too because the sunrise was pretty cool that day.
But here’s the thing: if you have a target in your sights, don’t give up on it. I’ll be back to get that shot! (By the way, if anybody reading this has a boat in Eastbourne, please feel free to get in touch!) I’m not giving up on this shot—I’ll get it one way or another. It’s not worth giving up on something good just because it’s a bit difficult.
Don’t give up just because things are hard. I have a tattoo on my left arm which says “aut viam inveniam aut faciam” which is Latin and means either find a way or make one. If you can’t stop thinking about it, don’t stop working for it, because some things that are worth having don’t come easy. You are so much stronger than you think. Someday you’ll look back on all the progress you made and be glad you didn’t quit. If you fall three times, stand up four, because winners aren’t people who don’t fail—they’re people who don’t quit.