I had a number of questions yesterday about the photos I took during my trip to China, so I thought I’d cover a few of them here today. Here we go:

Q. I frequently refrain from posting pictures of people (unless they are family) on the web. I worry about model releases and stuff like that, I realize that these folks are half way across the world, do you ever worry about that kind of risk?
This question came up a number of times yesterday, and this is probably going to freak you out, because do I not get model releases of people I shoot on the street, yet not only can I post their images on the Web, I can even sell prints of these images.

This whole topic was covered brilliantly by Copyright and Intellectual Property Attorney Ed Greenberg who was our guest on our weekly show Photoshop User TV last year. Ed specializes in copyright for photographers, and we had him on as a guest a number of times, because Ed has such a great way of explaining this stuff and making it understandable. You can catch his first segment in Episode 168 (link), and then it continues on Episode 169 (link), and than it continues again on Episode 170 (link), and we even added a bonus interview with Ed right here (it’s all free!). This is absolutely invaluable information (which is why we had Ed and copyright advocate Jack Reznicki do an in-depth series of online classes on Copyright for Photographers and the use of model releases over at Kelby Training Onlinelink).

Q. What I’m actually curious about is the font used on the last page. I’ve been looking for a nice “Handwriting” style for similar reasons.
Every time I use it, I get lots of people asking that same question. It’s called Satisfaction Pro. It sells for $20 and you can find it right here.

Q. Can you share how you put the panorama shot into 2 pages in [Apple’s] iPhoto. I tried it before but it seems like there is no one button solution in the software.

STEP ONE: You drag the pano on the left page, then you drag the same photo down on the right page (so you have two panos, side-by-side).

STEP TWO: On the left page, you zoom the size in quite a bit (using the Zoom/size slider that appears when you click on a photo in iPhoto).

STEP THREE: Use the Grabber hand (which appears to the right of the size slider) to drag the zoomed-in photo on the left page nearly all the way to the left (the photo drags inside the page template).

STEP FOUR: Then you go to the right hand page, and use the same technique (zoom in to the same amount, then drag that side all the way to the right). Now you have to kind of match up the two halves in the center so it looks like one contiguous photo.

Q. I am a PC user and was wondering if there is a program I can use to make a book like this?
iPhoto is a Mac-only program (and comes with some great drag-and-drop layouts like the one I used), but you can make photo books like this from a number of online labs, including, so I’d start there (here’s the link).

Q. Where’s that HDR photo you talked about yesterday?
That’s it at the top of the page. I did the processing using Photoshop CS5’s HDR Pro. This was taken inside the ferry from Kowloon over to Hong Kong. I had to hand hold it, but I took it earlier in the day, so I had a decent amount of light. Although I took five bracketed shots, I only used three for the HDR tonemapping.

Q. Your wife speaks Mandarin? What don’t you guys do?
She is truly an amazing woman. Right now she’s working on her pilot’s license, and she has her first solo flight coming up probably later this month. I don’t know how she does it. She makes me feel like a slacker.

Q. This is probably a typical camera guy question but the shot of that ferry [yesterday] is fantastic and I wanted to know how you took it! It looks to be a long exposure and also appears that you panned along but those two things generally don’t play well with each other. Care to share?
Mostly, I got lucky. I was on another one of those ferries coming back from Hong Kong to my hotel in Kowloon. Since it was dusk, and the ferry itself was moving, I knew I was shooting in really tough circumstances, and that I would have to pan with the ferry going by, but to increase my luck I did these three things:

(1) I raised my ISO to 400

(2) I shot wide open at f/3.5 to increase my shutter speed

(3) But most importantly I shot in Continuous High Speed mode and cranked out a long stream of shots hoping that one of the images would be in focus (I’ve written about this trick in my digital photography book series), and son of a gun one was! There were plenty that weren’t, but all I needed was that one.

Q. Is the Birds Nest in as bad a shape as has been reported? I read that after the Olympics the govt stopped maintaining it.
From what I saw outside—it looked great. It’s kind of a tourist attraction now, and there were literally hundreds of people there just making the scene (kind of like people gather at Trafalgar Square in London). The bird’s nest was beautifully lit at night, and from all outward appearances it looked to be in good shape (our guide told me they hold football [soccer] matches there now).

Q. Did you go to the World Expo in Shanghai?
Sadly, we left port just a few hours before the massive fireworks display to kick off the opening of the Expo. We saw some of the Expo grounds, and it was just amazing. Shanghai in general was just amazing—I could totally live there. The people were incredibly friendly and open, and I’m still stunned at how capitalism has caught on there. I remember sitting at Starbucks, next to the Lawry’s Prime Rib restaurant, right across from the Staples and UPS Store, right around the corner from the Häagen Dazs ice cream store, thinking, “This is a communist country?”

Q. May I ask how did u carry your equipment for all day? (ten hours)?
Once I switched to the D3 and the two lenses, I had to go and buy a small camera bag from a street vendor (paid about 240 RNB (about $35), which was way too much, but my wife was shopping elsewhere so I had nobody to negotiate the deal for me. As it turned out though, the bag the perfect size to hold my 70-200mm when I swapped out for my 14-24mm. However, at one point, the strap holding the top came loose, and my 14-24mm rolled right out of the bag. It’s a tough lens—not even a scratch.

Q. As a photographer, how often did you see a blue sky versus a gray one. Most of the recent travelers to China that I’ve talked to were amazed at the perennial gray skies due to pollution. They thought it impacted their photos not to mention their breathing.
We really only had two and a half days that were actually sunny—the rest were kind of gray and hazy (smoggy) which is why I usually avoided including the sky in my shots if at all possible. If you look at my Forbidden City shots, you’re seeing the gray, smoggy skies we saw most of the time. In fact, look at the first shot, and you’ll see more of that haze, with a slight hint of blue. But then on the day before we left Beijing, it rained overnight and the next two days were gorgeous so I tried to make the most of it.

Hope that answers some of your questions. :)

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About The Author

Scott is the President of KelbyOne, an online educational community for Photographers, Photoshop and Lightroom users. He's editor and publisher of Photoshop User Magazine, Conference Technical Chair for the Photoshop World Conference, and the author of a string of bestselling Photoshop, Lightroom, and photography books.