Pro gear tips to a newcomer
Hi all! #TravelTuesday is here again, and the return of travel is looking more and more promising with each passing day. I can’t wait to hit the road again and dedicate more time to travel photography, entailing more travel for myself, but for now, it’s all about planning and preparation (which is a very important aspect of travel photography). I’m Dave Williams, and this week for ScottKelby.com, I want to share some pro tips to up-and-coming photographers in all fields. Let’s do this!
Number one on the list – megapixels
The whole thing about megapixels is actually a bit of a non-issue. It’s something that has continued from the inception of digital photography where there was a megapixel race involving far fewer digits than we’re used to now. That megapixel race led the consumer to choose a camera based on the number of megapixels it shot as one of the primary criteria. We’re now seeing cameras on the market that feature a megapixel capability far in excess of what we need as consumers and only actually useful if we’re producing billboard-sized masterpieces, so please don’t base your decisions on megapixels when choosing a camera.
It’s actually about the glass
Now that megapixels are out of the way, let’s talk about what you should be investing in: – glass! Our hardware is something we tend to collect as photographers. We’re all fairly hooked on our kit list, our gear, whatever else you want to label it – we’re hooked on “stuff.” When we choose our primary setup, it’s far more important to consider glass than it is the camera itself. So long as we have a reasonable, functioning camera, we can turn out a decent photo with a careful investment in a good, fast lens. Our lens makes so much more of a difference than our camera does in terms of creativity, from the size and shape of the bokeh produced, through to the capacity to let more light in and knock a background out of focus to focus attention on the subject of our images. To this end, and to reiterate, it’s more about the glass than it is the camera.
A good, solid tripod is worth an investment, too. Think about it: We balance all our expensive gear on top of a tripod. That tripod needs to be rated to carry that weight, robust enough to keep it there, and rated enough that nothing will go wrong. A good tripod or a Platypod is well worth the investment for the sake of keeping our camera and lens safe when we’re taking rock-steady shots.
Straps are exactly the same, but different. Rather than balancing our gear on top, like a tripod, it hangs down from our strap, and as such, the strap needs to be up to the task. Using a low-quality strap is a risk that’s just not worth taking. When our gear is on that strap it needs to stay there, safe from falling off.
Essentially, when it comes to gear, it’s worth some research and some wise investment. It isn’t the gear that takes the photo, it’s the photographer. The gear is what makes it easier at times and, therefore, is worth that extra bit of consideration.