Category Archives Lighting

At every seminar we do, at the end of the day we ask the participants to fill out an evaluation form, to let us know how we did, but most importantly what we can do to make the day even better. I know those eval forms are a pain in the butt to fill out, but after the seminar I personally read every single one of them. I want to find out what’s resonating with the participants, what they want more of, what they want less of, and what I can add or take away that would make the day better.

I take this stuff really seriously
In fact, there are four things I changed, tweaked and added in Orlando, Cologne, and Amsterdam that came directly from the eval forms from my seminars in Toronto, Calgary and Vancouver. In fact, I shot a special on location video for my seminar just to be able to add more about shooting with off-camera hot-shoe flash. I also added a product shoot to the day, and I adjusted the amount of time, and type of retouching I’m doing in the sessions—all based on their feedback.

What I learned in Germany and Holland
As I mentioned yesterday, I know people are struggling with light meters, and I’m going to try to find a way to incorporate enough about using a flash meter in the day to at least clear some of the fog and confusion—even just a bit (including a great tip from Frank Doorhof’s presentation in Amsterdam). I’m also going to post a short demo-video they can watch afterward to help them get up and running from scratch. Hey, it’s a start.

The Whole “Lightroom vs Bridge” thing
Matt Kloskowski and I wound up doing something earlier this year to help our seminar participants with the confusion a lot of them are experiencing because they have the Bridge and Camera Raw, so they figure they don’t need Lightroom. We did this in response to question after question about this at our seminars, and so we create one hundred 60-second or less short video clips called “100 ways Lightroom kicks the Bridge’s A$$!” Even though it was made for our seminar attendees, you can watch it right here.

Overthinking and Making the Hidden Stuff More Discoverable
Yesterday, in Part One, I mentioned how a lot of folks seemed to be overthinking all this lighting and Photoshop stuff, and some stuff they want to do is already there—-in Photoshop and Lightroom—it’s just hidden beneath the surface. To that end, I’m going to step-up my crusade to make all this stuff more accessible, more fun and just plain easier. I want to be the guy that lifts the veil from some of this hidden stuff, and I really want to make learning Photoshop and Lightroom less of a mystery and more of pleasure.

I wasn’t judging—I was just reporting
Yesterday I mentioned that nobody ever asks about Creativity, or Composition, or Art, or any of those types of things at the seminars—it’s all pretty much questions about watt power, sync speeds, Photoshop techniques, and stuff like that. More technical stuff. I wasn’t judging—I was just reporting on that fact.

That being said, I’m working on a new project about Photo Composition
Although I don’t get asked a lot about composition in my live seminars, I know from emails and comments that a lot of photographers out there are struggling with it, and recently I had kind of an epiphany about teaching the art of photographic composition (and why every book on the topic teaches it pretty much the same way it has always been taught—-rule of thirds, leading lines, and so on). However, I think I’ve come up with a brand new way of teaching photo composition that I’ve never seen anyone teach ever, and I think has a chance to help photographers in a really impactful and groundbreaking way.

I’m going to start this project by inviting about 150 photographers to join me one evening, in a beautiful outdoor amphitheater in Tampa, Florida, as I present this one-hour class on composition (which will also be taped for Kelby Training Online). More on this as we lock down a date, but it’s the very next class I want to produce, and I’m really excited about it.

I need your feedback
I’m heading down to Miami with my tour next Monday, and then to Denver, Portland, Los Angeles, and Philly—-all in September. If you come out to join me for any of those days, you’ll benefit from all the people who filled out evaluation forms at all the seminars prior to that. But that’s the great part of doing an on-going tour—you get to tweak and improve it as you go. If you do come out, take an extra minute and let me know what’s working and what you want added, so the tour can continue to evolve and grow.

I don’t have all the answers
I don’t have half of them. But I really want to help, and I’ll do everything I can to help you get the most out of your photography, out of lighting, Photoshop, Lightroom, and just enjoying all of these awesome tools we get to use today. Thanks everybody. Your comments on those eval forms, and here on the blog, truly do make a difference.

My Light it, Shoot it, Retouch It Tour is in New York City on Thursday, with around 900 or so photographers who will be there and I want you to be there too!!!

It’s not to late if you want to snag one of the remaining seats. It’s only $99 for the full day, including a detailed step-by-step workbook that follows right along with what I’m doing all day, plus some other goodies I can’t tell you about until the workshop (by the way, it’s only $79 if you’re an NAPP member, so you gotta go!).

It’ll be a blast, plus you have no risk at all, because we have a 100% money-back guarantee if it’s not the best seminar of its kind you’ve ever attended, at any price, period! What do you have to lose? Don’t just read about it on my blog on Friday—come on down to the Javits center and be a part of it. Here’s the event details. I hope you can make it (and if you come, make sure you come up and say hi).

See you there! :)

P.S. I did a short video clip about the seminar–you can watch it right here.

I did a quick video about my first shoot with the just announced new Westcott Spiderlite TD-6s. If you’ve got two minutes and 16 seconds, check it out (I interrupt the shoot briefly to show you the difference between the old TD5-s and the new TD-6s and it will be instantly clear what’s new).

For more on the TD-6s, visit Westcott’s site. Also, if you’re not following Westcott on Facebook, you oughta. They always have cool stuff going on, or info on lighting techniques, giveaways, and stuff like that. Here’s the link.

P.S. Terry White did an in-depth review of the TD-6s over at his Tech Blog Here’s that link. While we’re having a link-fest. Here’s another (I’m not sure where it goes). ;-)

After teaching more than 2,100 photographers in four cities, it’s time to take the show to the Big Apple, as my “Light It, Shoot It, Retouch It Tour” comes to New York City for its only New York stop this year (the shot above is from my Chicago tour stop last week. All photos by Jeff Leimbach). Here are the details:

When: Thursday, June 2nd
The Javits Center
$99 for the full day, including detailed step-by-step workbook.
>> Only $79 for NAPP members
Reserve Your Seat: Right Here.

The tour has sold out in every city so far, so if you want to join me for the day, I would grab your seat right away.

Above: That’s Brad Moore looking concerned between sessions, but then…Brad always looks concerned. Well, between sessions anyway.

Above: Brad is working the hair fan during one of the shoots. Notice how he’s looking away from our model, Stevie Lynn, so the fan is actually aiming at the neck of her bass guitar instead of her hair. Yes, it was that kind of day. ;-)

Anyway, I’m really excited about bringing the tour to New York, and I hope I’ll get to shake your hand in person on June 2nd at my seminar. See you there! :)

P.S. Don’t forget—if you’re not absolutely 100% head-over-heels in love with what you learn that day in my seminar, and for any reason you don’t think it totally kicks butt, we’ll refund your entire tuition right on the spot!

I’ll be in Boston a week from this Thursday (March 24th) kicking off my new “Light it, Shoot it, Retouch It Live!” tour. Hundreds of photographers are already signed up and I want to make sure you’re there, so go snag a seat right now (here’s the link), and spend the day with me seeing the entire process—from the lighting to the shooting, to all the post processing and portrait retouching in Photoshop. You see it all, unfolding live, and I don’t leave anything out.

You get a detailed workbook (shown above) covering all the stuff I’m showing in class (in the same order I’m doing it, so you can follow right along), plus, we offer a 100% money back guarantee if for any reason you think it doesn’t totally kick butt and make you want to run home and try all these new techniques yourself (which by the way, puts a ton of pressure on me, but that’s OK—I’ll have Brad there to create a diversion).

I hope I get to meet you in person in Boston in just 10 days! I am totally psyched!!!! See you there!