Category Archives Photography

If you’ve ever dreamed of shooting a big game from down on the sidelines, have I got an awesome contest for you! It’s the brainchild of my buddy (sports shooter and famous guest blogger here, Mike Olivella), and well.. you just gotta watch the video below and you’ll see why you just gotta enter.

It’s free to enter, so if you want more details and the official rules, here’s the link to the flickr Group where you can upload your contest entry photo. We’ll be picking our winner in less than three weeks!

I hope to see you, Sept. 12th shooting on the slidelines alongside me and Mike (surrounded by 82,000+ screaming fans) as the Florida State Seminoles host the Jacksonville State Gamecocks. Good luck everybody!

You guys have heard me talk about the Honl Flash Modifiers again and again here on the blog, in my Digital Photography Book Vol. 2, and in my annual Gonzo Holiday Gear Guide, and now you can see them in action. Commercial Photographer David Maynard stopped by the Kelby Training Studios, and I asked him if he’d do a live demo for my blog, so he took five minutes with my buddy Dave Cross to show us how the system works.

If you’re at all into off-camera flash, this will definitely be worth your time.


It’s not easy for American’s to get to Cuba (don’t get me started), but somehow Rick Sammon figured out a way to get down there, and he’s getting some amazing shots, and he’s blogging about it as well.

Here’s the link to Rick’s blog—-he’s already started posting images (including some cool HDR stuff), and he’s going to be posting images from his trip for the next week or so, and since we in the USA get so few glimpses of Cuba, I find it really captivating (plus the color, the people, and the way parts of it are stuck in time just make it one of the most amazing places to shoot in this part of the world).

Rick invited me to sneak down there next year as he’s leading a group of photographers on a trip to Cuba—I’ve always, always wanted to visit Cuba, and well…I’m just keeping my fingers crossed that I can go. Thanks Rick, for sharing this with us. :)

Nikon introduced two new cameras today and some lenses:


(1) The Nikon D300s
As expected, it has lots of video features, including built-in HD video capabilities (720p), a stereo mic input, in-camera video editing features, auto-focus, and it has a dual card slot so you can shoot stills to a Compact Flash card, and send your video to an SD card. (Image shown above: courtesy of Nikon).

On the still side: it shoots more frames per second (7 fps, or 8 with the battery grip); it has dedicated buttons for Live View (great for switching to video quickly) and the Info Screen (like some of the Nikon’s recently released models), and a “Quiet Drive” mode for shooting in situations where you want the camera to make as little noise as possible (weddings, wildlife, etc.). Also, the D300s got the same Multi-Selector wheel as the D3/D700, which is a step up, and it includes the Virtual Horizon feature from the D3/D700 as well.

You can resize and process Raw images from within the camera (it comes with four built-in presets), it has built-in sensor cleaning, and a few other bells and whistles.

I don’t know if the noise is reduced yet, but will report as soon as I call my contacts at Nikon (and no—Nikon did not call me with a heads up, or early info on the camera. I read about it this morning along with everybody else).

The Street Price should be around $1,799.

Here’s the link with more details from Nikon USA.


(2) The Nikon D3000
At seems like this is a Nikon D5000 but without the video capabilities, and I believe it looks to be a replacement for the D60, but I haven’t heard anything official on it. (Image shown above: courtesy of Nikon).

The street price will be around $599.

Here’s the link with more details from Nikon USA.


They also introduced two new lenses as well:


The 70-200mm VR II f/2.8
A newly redesigned version of the lens I probably use more than any other. The new VR II is supposed to give you an additional 4-stops of low light hand holding, and it’s supposed to be sharper, particularly at the edges on FX (full frame) Nikon cameras. The lens is a little shorter than the original, and a tiny bit heavier. (Image shown above: courtesy of Nikon).

It’s set to ship in November at a street price of $2,399 [ed note; Yikes!]

Here’s the link with more details from Nikon USA.


The 18-200mm VR II f/3.5 – f.5.6
Another redesigned version of the lens I probably most for travel photography, when I want one lens and don’t want to switch at all. It’s got the new VR II as well, and it addresses the big complaint of the original, which was that the zoom barrel would sometimes start sliding if you were aiming up or down by adding a zoom lock switch on the lens. (Image shown above: courtesy of Nikon).

The street price will be around $850. It’s set to ship in September.

Here’s the link with more details from Nikon USA.


After my trip to St. Lucia, I wanted to send the owners of the resort a canvas gallery wrap print of the pano I took from room during the workshop, to thank them for their hospitality.

The full image is over 5-feet long, and MPIX only does Gallery Wraps up to 36″, so I had to find someone to print it as a stretched gallery wrap at over 60 inches wide. RC has a similar-sized pano of the New York Skyline at night hanging on his office wall (he took it the night that Matt and I ran out of memory cards—here’s that story), so I went to ask RC where he had it printed. He told me he had it made by Artistic Photo Canvas, and he raved about their quality and service, so I ordered two of them (one for the resort owners, and one for myself—shown above with RC. Photo by Brad Moore).

I uploaded the image to their site (very simple process), and this is going to sound silly, but one thing I particularly liked is that they will prep the photo to make the image wrap around the canvas without losing any of the image area for you for free.

I actually know how to prep a photo in Photoshop for a canvas wrap, in fact I actually taught the technique in my “How to show your work” class at Photoshop World (I originally learned the technique from Photoshop World instructor Randy Hufford), but since they routinely do this image adjustment for their customers, I thought “what the heck—that’s less that I have to mess with,” and I let them do it for me (sweet!).

Anyway, the gallery wrapped pano just came in (about two days turnaround), and I can’t get over what a great job the folks at APC did. I was really impressed with the printing and the fit and finish to the pano, and the protective coating they add to the finished gallery wrap. Everyone that’s come by my office in the last day or so has made a fuss at how great it came out.

The canvas pano was 62″ x 16″ and runs $185, including the protective coating which (according to APC) “….not only protects the canvas from fading caused by UV, it also repels moisture and offers some abrasion resistance as well.”

This was my first time using APC, but it certainly won’t be my last, since I’m a pano lovin’ guy (even more so since I learned that Pano shooting/stitching tip I a share on this Thursday’s episode of D-TownTV), but I really haven’t been printing enough of them, because I didn’t have a source (well, I do now!).

My thanks to the folks at APC for your great service and an awesome job on the pano. Here’s the link to their site (highly recommended).


I just took a look, and sure enough, it’s there (early)—my new book, “The Digital Photography Book, Vol. 3” is in stock at (well, at least it was last night when I wrote this). Plus, it’s only $16.50. (Cheap!) >> Update: it’s now only $14.99!

If you want to see what the book is all about, I did a video about what’s in this volume (which is all new, from the ground up), over at the World Wide Photo Walk site (here’s the link; watch the video on the home page called “A Message From Scott.”).

I got my first copy late last week, and I was really excited. A big thanks to my amazing in-house production staff (including my in-house Editor Kim Doty to whom the book is dedicated); a hugh high-five to my awesome assistant and digital tech Brad Moore who helped with so many of the production and product shots, and thanks to everyone at Peachpit Press, including Ted Waitt, Scott Cowlin, Sara Jane Todd, and Nancy Ruenzel.