Rob Foldy Is Getting Married Tomorrow! That’s right, my buddy, Sports Photographer, KelbyOne Instructor, Miami Marlins Team Photographer, Frequent Grid Guest, and all over SupaLuva Rob Foldy is settling down with a wonderful gal, late tomorrow afternoon. The wifey and I are heading up for the wedding; Brad “Braddo” Moore will be there and I expect his beard to be in full bloom this time of year, so it should be a spectacular wedding. Congrats to Rob and his lovely wife-to-be Amanda! Please have Spray Cheese and Chicken in a Biskit at the reception. The crowd will love it!
I’m off to the Imaging USA Conference on Sunday in Nashville I’ll be doing a book signing at Rocky Nook (publishers of my new book, “The Flash Book”) on Monday at 11:30 am. If you’re at the show hope you’ll come on by. They are in booth #767 (they’ll have lots of my other books for sale, too!). Also, look for Erik “DCATS” Kuna with me at the show as we chat about Disney Cruises, Amazon, Tesla and Space X as we walk between meetings. ;-) Hope I see you there!
Oh man, this interview was a blast! I was the guest on Steve Brazill’s“Behind The Shot” Podcast this week, and he is such a great interviewer, and we had so much fun. We dissected some of my shoots and talked about all kinds of stuff. Such fun – you can check it out right here (thanks Steve for the honor of being on your show. I totally had a ball!). You can watch it / listen below.
The Deadline for Entries for your own gallery showing is this coming Monday! Ack! KelbyOne members — this could be your chance to have your own private gallery showing – the Deadline to enter is the 15th of this month, so make sure you enter. Go right now! (note: contest only open to current KelbyOne Pro members)
Photoshop World 2018 Registration is Now Open! We’re in Orlando, at the beautiful Hyatt Regency Convention Center, May 31-June 2, 2018 and right now you can still reserve a room, at our special attendee discount rate, right there at the Hyatt and stay right in the heart of everything (it’s also where all our staff and instructors stay). Here’s a link to the travel page – reserve your room now, and we’ll see you in just a few months.
Coupla last minute things:
Did you check out Dave William’s post here Tuesday on shooting for stock photography? You should (here’s the link).
Awesome episode of The Grid this week with LA-based Digital Tech Clay Rasmussen. He was in town taping a KelbyOne class on CaptureOne (to be released Feb. 7th). We talked about this “hidden gig” in the photography world. Definitely worth checking out (he was a really great guest!). You can catch it over here.
Have a fantastic weekend everybody. Hope I see you at Rob’s Wedding, or in Nashville Sunday or Monday, or back on the Grid on Wednesday. :)
P.S.Here’s the trailer for how shoot DSLR video for beginners (it’s got a wedding photography angle, because that’s one of the biggest uses, but the techniques are the same no matter what you’re shooting. You’ll learn a lot).
That’s Stephen Wallace, and you probably recognize him as the KelbyOne member who was the winner of our contest for a solo show in the Gallery at KelbyOne, but he’s also a rising star, and on Saturday night his star was certainly shining bright!
Right after his interview with Larry Becker, broadcast live and viewed all over the world, I was standing in the theater when a gentleman who was in the audience came up to tell Steve how much he admired his work, and how fascinating his talk was, but he said something that really stood out. He said to Steve that what was most amazing to him was for an incredible of a photographer as Stephen is, he was so humble about it all. It made us all love him, and his work, even more.
It was a magical night Like the openings for Mark Wegner and Melanie Kern-Favila before him — there is something so special that happens when we all come together to experience beautiful art; to share the process and learn about the person behind it; and to celebrate what is good in this world. It was a wonderful night of learning, laughter, and watching as another star is born. I’ll share some of the images from the evening here, with a few captions, but if you get a chance, watch Stephen’s talk from the gallery (it’s embedded a little farther down this page). There is so much to this artist, to his man, and he has a lot to share. He truly honored the gallery with this images, and his words.
Above:I took this shot at the end of the night, after everybody left, down low with a wide angle lens. Stephen’s images from Myanmar (formerly Burma) looked amazing on the walls.
Above:He talked a lot about why he choses to photograph so often in Southeast Asia. His answers were so insightful.
Above:His use of natural light, and his understanding of how to harness that light, was really intriguing. So simple, but so effective.
Above:I grabbed a few shots before and after the sold out crowd arrived for his opening.
Above:That’s my personal favorite of Steven’s gallery images. It’s like he’s flying.
Above:Some scenes from Steve’s opening.
Above:Matt Kloskowski and his wife Diana dropped by – that’s Matt chatting with Steve before his talk.
Above: I know we talk a lot about Bay Photo Lab’s Xposure printing system, but you should see the reaction of people who visit the gallery. The images look so amazing, and the mounting is so clever. It was one of the first things Stephen looked at when he saw his images for the first time. We feel very fortunate, very blessed to have BayPhoto as our sponsor for the gallery — their printing system helps the images come alive.
Above:This is Steve’s interview from Saturday night with Larry Becker (who was as awesome as always) – it says “The Grid Live” for some reason, but that’s not what the actual video is — it’s Steve’s chat with Larry. I promise you – you’ll love it. You’ll learn a lot. You’ll laugh, too. You’ll be intrigued and engaged, and you’ll just really enjoy it. You’ll see some wonderful images, and meet a fascinating man who has lived a pretty incredible life. I hope you take the time. It’s worth it.
Above:Steve and his wonderful wife Becky. We got to spend a little time with them before and after the gallery opening, and they are just awesome people.
Are you next? On Thursday, we’ll be announcing the next gallery competition opening dates and how you can submit your images, during a live Webcast we’re doing for KelbyOne members on how to get your work noticed in 2018. It’s just one part of our presentation, but it’s an important one.
I hope you’ll be joining some of these amazingly talented people — photographers who all thought they’d never be the one chosen. If you think you probably won’t win…you’re in good company.
A special thanks I want to give a special thanks to our in-house team who works so hard to put together this special evening. Thanks to Merideth Duffin, our director, Steve Nicolai who leads our video team and makes sure everything works like a charm; to Juan Alfonso our camera operator and jack-of-all-trades; to Rachel Scott who wore many hats from event photographer to social media maven (her day job) to live chat moderator; to Jean A. Kendra for all her help, for being our cheese and wine expert, and for being so supportive of this idea from the very beginning. Thanks to Larry Becker (he’s just so brilliant); to Pam Suttmiller for always helping every time, and to Erik Kuna, who so loves what we’re doing and why we’re doing it, and helps in every aspect from start to finish.
It all started with Kalebra’s dream None of this would even be possible if Kalebra hadn’t come up with the idea to take someone from our community and find a way to raise them up; to give them a bigger audience for their work; to get them the recognition they deserve. Thank you for being so awesome, and for having such a heart for others. You are just such a cool person.
My thanks for Steven and Becky for honoring our studio, and being such fun, modest, and just just awesome people. Thanks, Steve for sharing your gift with our members and with the world. It was a night none of us will soon forget.
Here’s to a great week everybody, and to new opportunities. :)
OK, guys — today, Cyber Monday, is your last chance to get our absolute best prices of the year on KelbyOne annual memberships, and Photoshop World 2018 Conference Tickets. Here are the deals:
NOTE: These deals END TONIGHT at 12:00 am midnight ET
PROGRAMMING NOTE: Today, starting at 10:00 am ET and running until 4:00 pm, at the top of every hour we’re doing a LIVE 10-minute screaming deal Webcast where we convinced one of our partners to offer an insane discount but just for One-hour (and ONLY1-hour). Last year, these deals were so insane, it was literally crashing our partner’s servers (I heard B&H is rolling out a killer tripod deal today on the show) but you’ve got to watch to get the Discount code. Here’s the details:
Who: Join Larry Becker LIVE from our studios What: Unbelievable Cyber Monday deals that only last 1-hour TOTAL! Where:Here’s the link When: Today starting at 10:00 am and at the top of every hour until 4pm. Why: Cause we always do something cool on Cyber Monday!
Of course, our KelbyOne & Photoshop World Conference deals are running all day today, too, so for goodness sake don’t forget about those!
OK, that’s the Cyber Monday scoop! The deals are here, but only for today! Hope you have a great start to your week, everybody! :)
Mornin’, everybody! Not sure if you’re following me over on my Facebook page, but I’ve been sharing lots of behind-the scenes shots from shoots over there, along with all the lighting set-ups and camera settings.
They’re really popular so far – if you get a chance, you can check them out over there on Facebook.
Are you into guitar? Or Van Halen? Or both! :)
Tonight I’m talking guitars and amps (and even a little photography), with guitar god Eric Broadbent (and btw: if you think they’re going to win any points with me by referring to me as “Photography’s Eddie Van Halen” in their graphic above, well, you are absolutely right. LOL!!).
Who: Me and rockin’ guitar player and show host Eric Broadbent What: Lots of talk about guitars and amps and music and some photography Where:Follow this link (the podcast is free and open to everybody) When: 9:00 PM EDT Tonight Why: Guitars, Music & Photography? Why the heck not! I’m in! :)
Have a great weekend everybody! Here’s to breaking your high e-string!
Millions of Homes in America Will Go Dark Monday Afternoon, Are you ready? [guest post by Erik Kuna]
Seriously, unless you’ve been living underneath a rock in the U.S.A (which might not be a bad thing lately) you know that there’s a total solar eclipse happening Monday for around four hours starting on the west coast of Oregon at 9:04 am PDT and moving all the way to the east coast in South Carolina to end at 4:10 pm EDT. While total solar Eclipses happen every year or two, it’s rare that they cover so much land mass, in fact, it’s been almost 100 years since something like this happened in America.
Being photographers, it’s an event that gives us a unique opportunity to capture unforgettable images of this rare event. Recently, I had an opportunity talk to some Astrophysicists from Kennedy Space Center while covering the NASA/SpaceX CSR-12 mission about the 2017 Eclipse. During that time, I picked up some great tips that I wanted to pass along here for you all that I’m hoping will help on Monday if you’re shooting. Fair warning that most of the tips I’ve also been hearing all over the place lately in many of the coverage about the eclipse, but they also clued me into something that made me explore one topic that I haven’t seen discussed much online. More on that later. For now, let’s give a quick rundown of 7 tips for shooting the Eclipse.
#1- Be Safe and Bring the Right Equipment
Yes, Yes, I know, I know. If you’ve heard anything about the eclipse, you’ve probably seen this in every article, video or news story. But, this is very serious. The Sun is a super mega bright ball of light, burning at 10,000 degrees with parts of its corona reaching into the millions of degrees and just like your skin will get sunburnt, so will your eyes, and fast and it will be permanent. This is nothing to mess around with and goes for every day of our life. Don’t look into the Sun whether it’s the Eclipse or not, without approved protective eyewear, period. Moving on.
Just like with your eyes, you’ve got to protect your camera sensor if you’re going to be pointing the camera at the super-mega-uber bright ball of light. So, if you’re going to be taking images while the moon is eclipsing the Sun, you’ll need to use a solar filter or solar film to protect your camera. Just as you’ll need a pair of eclipse glasses to protect your own eyes, your camera needs protection. With that said, if you’re one of the lucky few in an area of 100% totality, you’ll have the two and a half minutes or less where the Moon completely blocks the Sun you can remove the filters and eyewear so you can see the Sun’s outer atmosphere or the corona. This is the holy grail of the Eclipse, it’s the only time we can see the corona with the naked eye.
Sun’s Corona Shot of the Sun’s Corona courtesy of NASA Credits: Miloslav Druckmüller, Martin Dietzel, Shadia Habbal, Vojtech Rusin
Keep in mind the area of totality is very small, only about 70 miles wide. See NASA’s interactive map for the exact areas. If you’re outside this totality, you should always wear solar glasses and protect your camera with solar filters. One caveat to that is if you’re going to take a few wide-angle picture of the eclipse here and there with a smartphone and not going to point your camera at the sun all the time, you do not need a solar filter. Apple even issued a statement the other day in an article from USA Today where it confirmed it. DSLRs should be fine too for temporary exposure. We all shoot sun flares and position the sun in our shots from time to time and I’ve never heard of anyone damaging their sensor from occasional use. Of course, as with everything, in moderation. Bottom line, if you’re going to point your camera, smart phone or anything at the sun for a long time, use some sort of solar filter especially if you have a telephoto lens on your camera or smartphone.
Besides your camera and a solar filter and glasses, having a few other pieces of equipment can also come in handy during the eclipse. Using a tripod is a must to let you stabilize the camera and avoid taking blurry images. You’ll really want to use a tripod during the lower light moments around totality or if you’re using a telephoto lens. Also, using a shutter release timer or trigger will allow you to make better eclipse photos with less blur. If that strikes a chord with you, you’ll also want to use mirror lockup to minimize vibrations in your DSLR.
#2- It doesn’t matter what camera you have
Taking an awesome photo has more to do with you as the photographer than your camera model or brand. Yes, the equipment helps, especially if you’re going for a particular type of shot of the eclipse. Like if you want something like these multiple exposure close ups, you need a telephoto lens on a tripod.
However, if you have just a camera phone or a kit lens, you can still take great photos during the eclipse. The best piece of gear with you is your own vision. (which is why you better be wearing those solar glasses) Of course, you have to work with what you’re given, so if you don’t have a telephoto zoom lens with a solar filter, maybe focus on taking landscape shots, or capture reaction shots or capture the changing environment. Which leads me to the next point…
While we’re all focused on that magnificent ball of burning gas and plasma that’s being blocked by either a large rock or just huge piece of cheese (if you get your science from Folklore) remember to look up, down and all around. You’ll see changes in the way shade appear or the way the sunset comes from 360 degrees. This is the “other” side of the eclipse that most people miss. Landscapes will have long shadows, creating odd lighting across the landscape. Light through trees leaves will create creating natural pinholes, which will also create mini eclipse replicas on the ground. You can even create awesome pinhole effects with things like colanders, strainers, or even the holes in Ritz crackers.
Almost anywhere you point your camera even if it’s not into the sun, it could give you unique photos, so be on the lookout to compose some creative perspective, environmental shots or wide-angle photos that can capture the eclipse experience. Even reaction shots from people watching the eclipse might end up being the most memorable ones of the day.
Along these lines, if you’re a KelbyOne member make sure to join our photo contest over in the Community starting Monday where we’re looking for the most creative shot of the Eclipse. The winner will be selected by the KelbyOne Community and will win a ThinkTank SpeedFreak v2.0
#4- Know the Sun you’ll be dealing with…
Remember earlier I mentioned there was something big that I haven’t seen many people talking about with the eclipse. Well, here it is! Know where the sun will be and what you’ll be dealing with in the exact location you’ll be, and know it now, before the day of the Eclipse.
What do I mean? Well, if you’re in Oregan you’re going to have a very different perspective on the Eclipse than someone shooting in South Carolina. Why? The Angle and Azimuth of the Sun. What’s that you ask? Well, it just means how high off the horizon and in what location the sun will be relative to your position. Why is this so critical? This will change what gear you bring, what technique you might want to use, the lens you might want, your composition, the type of shot you plan, basically everything. You might have a vision for the image you want to create but the Sun isn’t going to cooperate. So, you’re might need to need to adjust your vision slightly.
For Example, let’s say you’re going for a multiple exposure landscapes shot with the moon eclipsing the sun or any type of tighter landscape shot with the sun and the moon where it’s not just a very small speck in the sky you better be on a plane to Oregon while you’re reading this post. Even at that, the sun is going to be between 27 and 45-degrees up in the sky in the western states like Oregon, Idaho, and Wyoming. However, knowing that is valuable information. You’ll have the opportunities people in other places like the Southeastern U.S. don’t have, where we’re going to be dealing with 65 to 70-degree angles on mid afternoon sun for our Eclipse. With that kind of angle, we’d need a very very wide wide-angle to capture the sun being eclipsed in a landscape. Not to mention that the sun would be a speck in the frame.
To illustrate the point here’s an example of something you won’t see from the 2017 Eclipse unless you see a bunch of ocean in front of it, the angle of the sun relative to the horizon is too small for any land mass during the 2017 Eclipse.
Another thing to consider besides the angle is that Azimuth. That way you’ll know where the sun will be in your frame not only on the horizon but in the scene or part of the sky. For example, don’t expect to get a beach shot of the eclipse on the Oregon coast or even the South Carolina Coast, unless you’re on a boat. The Sun’s azimuth will always be in the opposite direction. That one is a little more intuitive, rising in the East and setting in the West, but again just something to consider when planning.
Transversely, if you’re looking for an awesome shot of the corona or the greatest eclipse, hopefully, you’re on your way a little northwest of Nashville, Tennessee. There you’ll experience a long eclipse where the axis of the moon’s shadow cone passes the closest to Earth. (Weather permitting, of course, it’s looking like a lot of cloud cover is predicted around this area as of Friday)
#5- Practice Now
You have a couple days, and be sure you know the settings and capabilities of your camera before Eclipse Day. Start by shooting the Sun today during the times which the Eclipse is passing over you. That way you’ll know a few things. First, you’ll master the angle and azimuth of the Sun at your location. Frame up the shots you want and get your settings right. This will allow you to have a good starting point. If you’re wondering what time it will pass over you, check out this interactive map from NASA.
Our cameras and even camera phones have adjustable exposures, which is essential to help you adjust your image during the varying eclipse lighting. This is the key to getting a good eclipse shot. As for focus, make sure you know how to manually focus the camera for sharp shots and then lock your focus so your camera won’t try to adjust focus with the varying brightness. Plus, use live view to compose the image, it’s less dangerous than looking through the viewfinder especially if you’re going to be risky and shoot without a solar filter. As far as settings for a DSLR camera, the best way to determine the correct exposure is to test settings on the un-eclipsed Sun this weekend.
For the best results, you’ll want to dial in your settings manually, which is another reason to practice. Get your DSLR out of auto mode and go manual, using a fixed aperture of like f/11 or so and the lowest ISO you can go, that’s ISO 100 on my Canon. Then, try shutter speeds to find the optimal setting. You’ll probably be around 1/1000 to 1/4000 with a solar filter but just find the setting that works best for you. This will give you the exact starting point you can use to take images during the beginning stages of the eclipse. That way on the day of the Eclipse you’ll just have to adjust your shutter speed settings as the lighting changes. During totality, the corona has a wide range of brightness so it’s best to use a fixed aperture and ISO and multiple ranges of exposures from approximately 1/1000 to even as high as 4 seconds. Make sure to take your filter off during totality. I’d suggest bracketing your exposure too. There’s a lot of detail in the sun but you’ll see some things better over exposed and some thing better under exposed.
Here’s an example of different exposures of the sun and about the same time:
You can see the little difference in the sunspots and better to take multiple exposures than miss some sort of detail you’ll want later. Also, shoot in RAW if you can, it’s going to give you the flexibility you want later since you’re shooting a bright ball of light.
Now, If you’re going to miss getting the shot you want this time around, never fear, another total solar eclipse will be coming back to America in 2024 traveling from South Texas up through Maine. So, you’ve got 8 years to practice! Who knows though, by then we might be shooting Ultra HDR holographic light field cameras.
#6- Its mother nature, be flexible
As with anything that relies on the weather, it’s a roll of the dice. If you’re a landscape photographer, you know exactly what I mean. Unfortunately, with the Eclipse, there are no do-overs, missing your alarm or “we’ll just try again tomorrow morning” kind of plan. It’s a one and done kinda thing, so that’s why I can’t stress enough the practice element.
So, check the weather before you go out Monday to see what you’ll be dealing with before you leave for your shooting location. Maybe even come up with a backup plan if you get cloudy weather and try to have a backup location if the weather looks like it is not going to cooperate. If all else fails, NASA has tons of live coverage of the event on their site the day of the Eclipse and while I know it’s not the same, the weather just might not agree.
#7- Share your experience
The 2017 Eclipse is predicted to be the most photographed one-day event in history. Share your eclipse experience with friends and family afterward. Use the hashtag #Eclipse2017 or upload your eclipse images to NASA’s Eclipse Flickr Gallery.
While you’re out trying to capture the perfect eclipse shot, don’t forget to take a break from shooting every so often and look at the eclipse with your own eyes. And, just because I can’t stress it enough remember to wear your eclipse safety glasses for all stages of the eclipse except for the totality.
Thanks for letting me share,
Speaking of sharing our experiences, here are a few of my shots from this weeks NASA and SpaceX CSR-12 launch. Big thanks to NASA for allowing photographer’s access to shoot these events. The Dragon spacecraft atop the rocket in these pictures docked with the International Space Station just a couple days ago with a laundry list of awesome science experiments and cargo. There’s even a huge experiment on board that might lead us closer towards a cure for Parkinson’s disease. If you’ve never experienced a rocket launch live in person, it’s probably up there with an event like the moon passing in perfect alignment with the Sun and the Earth. Plus with the frequency that Kennedy Space Center is launching rockets nowadays if you’re in the area your chances of seeing one are very high. I can’t recommend it enough.
Hi everybody, and greetings from Nashville, Tennessee where I should already be in bed because it’s nearly 1:00 am and I’ve got my seminar here tomorrow in the morning and well…I dunno…I should be in bed by now.
Anyway, if you’re out in the greater Los Angeles area, I want to invite you out to a talk I’m doing there next month at the Canon Experience Center in Costa Mesa — it’s called “The Stuff They Don’t Tell You” and it’s an updated version of a talk I gave in England at ‘The Photography Show.’ I hope you can make it out — it’s free (compliments of our friends at Canon USA).
Here are the details:
Who: Me. What: A free inspirational, motivational, informational, gravitation talk on ‘big picture’ photography stuff Where:Canon Experience Center – 123 Paularino Ave, Costa Mesa, CA When: 6:00 pm – Sunday, August 13th, 2017 How to register (seating is limited): Click here. :)
I hope I’ll see you there, or maybe I’ll see you today in my seminar here in Nashville, or maybe I’ll see you in my seminar in LA the day after that talk at Canon, or maybe in San Francisco a couple days later, or two days after that in Seattle.
That sentence right there made me want to finally hit the sack.
Hope you all have a great weekend – one packed with fun, and cooler than Florida temperatures. :)