Tag Archives composite

It’s #TravelTuesday with Dave (that’s me) right here on ScottKelby.com, and today is all about why we should have a crack at compositing!

I’m going to refer to the work of a good friend in this post, as well as touch on the reasons why compositing can enhance our work. What I’m going to refer to can be found here on Layers Magazine. It’s by JR Maddox, and it won him a Guru Award at Photoshop World in 2013, so it’s serious business!

Compositing, first of all, is what we’re doing when we combine elements from two or more images together in Adobe Photoshop to create something a little different. It could be something taken to a radical extreme, or it could be something as simple as switching out a sky or just adding the moon, for example. When we create composite images we use layers, layer masks, blend modes, and a whole host of other features. Take a look at this example: –

A photo merge of husband Bill and wife Mandy to create this beautiful creature “Billandy.”

Here we see a composite image of two people, both shot in the same place with the same light, blended together to form a human-hybrid. JR explained that one of his sources of inspiration for this project was Mr. Potato Head. With this project, JR used the Lasso tool to select the components of the face and body that he needed, then blended those images together. He made the point that he had no firm plan, just a loose idea, and at many points throughout the process, he had no idea what would stay and what would go or what would be used from each of the two images. When it came to blending the elements together he used tools such as the Warp tool in Free Transform and ensured the colours were correct using the Curves Adjustment Brush.

Here’s one of the images he began with: –

A photo merge of husband Bill and wife Mandy to create this beautiful creature “Billandy.”

This kind of project can translate across the board in photography and applies to every genre, and it’s amazing what you can create if you put your mind to it. Whether it’s as part of a personal project or something bigger, it’s well worth broadening your skill and knowledge base in getting a grip on compositing. This example from JR is a great demonstration of what’s possible.

There are tons of resources out there that’ll help you learn how to get a grip on compositing, including KelbyOne and Photoshop User Magazine.

For those in the photography community who aren’t aware, we sadly lost JR this past week, and he is sorely missed. As he was a friend of mine, I didn’t receive the news well and one of the first things I did was call my mum. She said this: – “Life is short. If you want to do something, and you can afford to do it without hurting anybody, do it. You don’t know how long you have to get it done. And when it comes to the people you have in your life, remember this: We love our family; they’re given to us and they’re so special and important, but our friends are the ones we’ve made a decision to have in our life and they’re just as special and important. Give love, treat people well, be the best person you can be, and whatever it is you want to do according to the above—do it.”

If you have five bucks to spare to help JR’s family, that’d be awesome. Let’s show what our little community can do. You can leave a little gift right here.

Much love 

Dave

Yes, it’s me again! Dave Williams, the #TravelTuesday blogger here at Scott Kelby’s Photoshop Insider, and freshly appointed editor at LayersMagazine.com. I’ve kicked off a new series of #MondayMotivation posts over there and I’d love for you to go check out the first one by Gilmar Smith!

I’m fresh back from a mission to Turkey where I predominantly shot the hot air balloons over Göreme in Kapadokya. It’s home to the densest hot air balloon airspace in the world, with the dawn skies filled with them.

The town is unique in that the buildings are carved and tunnelled into the rocky landscape. I’ll share more about it over on my blog, capturewithdave.com, another day, but today, right here, is all about this shot from the trip: –

 

 

Here’s the caveat, and it’s very important you aren’t disappointed by this: So, you know how this blog is entitled, “Scott Kelby’s Photoshop Insider,” right? The clue’s in the name.

 

 

This is a composite of two images: one of the cave interior and one of the balloons in the sky. Now, I’ll say at this point, anticipating any comments about how I shouldn’t be faking this, that actually it is a view that is attainable at this location. I just wasn’t in the caves at the right time of day to see it! I was limited by time and didn’t know my way around to find the right spots in the dark before dawn. Anyway, here’s the tip: –

We’ll use a different pair of images, which you can download the PSD file here to try it yourself.

When compositing images, it’s obviously very important to make the result look convincing! As well as good cut-outs and realistic placement of elements, matching the tone is very important. What I’m going to show you is a very quick, very easy, and very good way to match those tones.

First off, get everything cut out and in position.

 

 

The layers are set out in no fancy way for this technique; they’re simply stacked in order. On top, create a new layer and fill it with 50% gray.

 

 

Now, change that new layer’s blend mode to Luminosity. The colours will change, revealing the differences going on in your image. To see them more clearly, add a Saturation layer to this and boost the saturation right up. What we’ve done here is create a representation of the colour in the image.

 

 

From here, add a Selective Colour adjustment mask. When faced with the Properties panel, select the Neutrals from the Colours option, which actually contains most of the colour information. Adjust the sliders to balance out your image and match the colours – it’s hard to explain it because it varies wildly on an image-by-image basis, however when you do it and see it yourself it’ll make sense, I promise!

 

 

The Layers panel should look something like this one below. And, to finish off the image, we just need to remove the Hue/Saturation layer and the gray layer.

 

 

This leaves us with an image which has balanced tones, leaving it looking realistic.

 

 

It’s a simple and fast way to balance tones in a composite, and I’d love to see how it works for you!

Now, this experience is called a “once in a lifetime” thing, and that played on my mind when I was out in Turkey. I wrote a little piece about that, which I’d love for you to read over on my blog.

So, for now,

Much love

Dave

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