Lightroom Mobile From Start to Finish with Scott Kelby Expand the power of Lightroom desktop to your mobile devices! Join Scott Kelby for an in-depth look at the latest round of updates for Lightroom Mobile. In this class Scott will help you get set up on the right foot, show you how to view your photos on mobile, how to add new photos from your camera roll, how to edit with the updated editing interface, how to share photos on the web, and so much more! This update has created the most desktop-like experience on mobile so far, and Scott gets you up to speed on all the new features and interface changes. All along the way Scott shares tips and tricks to help you get the most out of the experience. By the end of this class you’ll be able to use Lightroom anywhere you are, and on any device.
Upgrade Your Creative Workflow with the Adobe Mobile Apps with Bryan O’Neil Hughes Get up to speed with the latest in Adobe’s fast growing suite of creative apps for your mobile devices! Join Bryan O’Neil Hughes as he demonstrates how these apps work, how they communicate with each other, and how they stay synchronized through the cloud. Starting on an iPhone, moving to a tablet, and then showing how your work can automatically be synced back to your desktop you’ll see how these apps give you the power to create new content, edit that content, access your existing content across your devices, and publish it to the world. Bryan wraps up the class with a sneak peek at what’s coming next. This class was released in March 2016, but much of it still applies to how you can get the most out of Adobe’s mobile apps!
Above:Here’s a quick gallery of some shots from our pre-conference workshops held yesterday.
That’s right – we’re streaming it live – the conference kicks off this morning with a keynote presentation from the crew here at KelbyOne, but of course the star of the keynote is Adobe, who is showing some really cool stuff this morning, so you don’t want to miss it:
It’s here! Adobe is rolling out a pretty big update to Photoshop CC, with some seriously cool new features; lots of little tweaks, enhancements and improvements throughout, and I’m here to give you a peek at some of my favorite parts of Photoshop CC 2015.5 (we’re going to do our best to overlook the fact that this 2016 release is actually named 2015.5. I would love to hear the reasoning behind that one…but I digress).
Anyway, don’t spend too much time on that one (it will make your head hurt), and instead, let’s look at what’s new in this full release, which is technically Photoshop version 17. :-)
Better Masking Is Here! Adobe has been making big strides in making tricky selections easier (like windblown hair), and the new “Select & Mask” Task Space environment is better, faster, and more powerful (yes, it replaces the much-loved Refine Edge, but don’t worry — it does everything Refine Edge did and more). Check out the video below.
Facial Aware Liquify This is that next level of Liquify for retouching portraits, because it automatically detects facial features, and lets you adjust them quite simply by just using sliders. No complicated masking or brushing — just drag a slider (if you’ve seen the retouching miracle that is the “Adobe Fix,” app, you’ve seen this technology before, and I’m thrilled it made its way over to Photoshop. Here’s a quick video:
Content Aware Cropping This one will save you time, but not only does it save time — it does a better, faster job of it.
Match Font This is some serious font recognition magic — you open an image with a font visible in the image (a flattened image is fine), and it recognizes the font; tells you which one it is (if you have that font installed), or it will suggest similar fonts if you don’t, and then you can download it directly from the Adobe TypeKit library so you can start using it. Pretty darn slick!
Faster Speed Is Here, Too! Lots of important speed enhancements, including stuff like Content Aware that’s 3x faster (and that was about the slowest thing in Photoshop, but I guess not anymore, eh?). Plus, 4x faster loading of the your fonts in the font menu, and even documents open faster in CC 2015.5 (stop giggling about the 2015.5 thing). Because of stuff like this, the whole application feels snappier and more responsive.
Lots of Tweaks, and enhancements, too Stuff like better results from Content Aware Fill (according to Adobe, these include: “…improvement in details, reduction in blur/smudge, and improved color adaptation”). Plus, you’ve got Photoshop libraries that you can make “read only” so you can share it with other people without them messing up the assets, or a new preference setting that lets you use the old legacy Healing Brush algorithm. How about stuff like bringing back the small color swatch size in the Swatches palette, or the ability to add a keyboard shortcut to toggle on/off the Airbrush mode. Plus, they’ve really stepped up on the Adobe Stock integration (I’ve been using the heck out of Adobe Stock by the way, and I’m loving it, but I’ll probably love it more now that I can license images from right within Photoshop). Anyway, there’s a whole bunch more stuff like that. Oh yeah, and a bunch of bug fixes. It’s all good.
IMPORTANT: Don’t miss this little (but big) detail about plug-ins As I mentioned earlier, this is Photoshop 17 — a full release, which means you’ll need to reinstall all your 3rd party plug-ins (I know, I know); however, they are implementing a new plug-in location going forward that will keep us all from having to do this in the future, but for now…ya know…we still have to do it this one last time.
Also, if you want to wait and move your plug-ins later,and not overwrite your current copy of CC (with all your plug-ins), then when you go to install, click the Advanced Options button at the bottom of the installer and uncheck “Remove Old Version.” That way, you can move your plug-ins over at your leisure, then uninstall the old version later.
When is it available? It will be rolling out today (I already got my update) but depending on where you are in the country and in the world, will ultimately depend on when it’s actually available for download, so I’ll just say, “very, very soon” ;-)
Get More Videos Straight From Adobe! Go check out Julieanne Kost’s blog — she’s got some great videos there on the new most-important features (here’s the link) and since she’s one of Adobe’s Photoshop evangelists, she’s always got great insights, and really helpful tips.
Don’t forget about tomorrow’s Lightroom Mobile Lovefest! Adobe’s own Lightroom Mobile Product Manager Josh Haftel is here in our studios, and tomorrow we’re doing a special KelbyOne members-only Webcast with Josh, and then later in the day (at 4pm), Josh will be my guest on The Grid. Hope to see you at one of those tomorrow.
-Scott A very happy guy on upgrade day!
P.S.I don’t know if you can tell (wink), but I am freakin’ lovin’ this update. Thank you to the Adobe engineers for continuing to literally create “magic” and for giving us such amazing tools to create with. What an awesome time to be a Photoshop user!
Hey gang – this quick little video (below) is about an awesome portfolio feature that already comes with your Adobe Creative Cloud subscription (even with the $9.99 a month photographers bundle). It’s called “Adobe Portfolio” and it’s so easy to use that you can have your own custom online portfolio up and running in about 10 minutes without any additional fees (or any web programming experience whatsoever – anybody can do this easily). Check out the video below to see how this works:
Hope you found that helpful — it’s one of those things that Adobe kind of snuck in there and it really adds value to their subscription (especially if you’re just paying the $9.99 a month, because you can pay more than that for a portfolio alone).
Hope that starts your Monday off right. :)
P.S.In 10-days I’ll be in San Diego with my new seminar (on Thursday, May 12th) – hope you can come by. Also, a big shout out to all the photographers in Seattle & Portland who came out to my seminars there last week. Really enjoyed getting to meet so many nice folks. Thanks for making me feel at home so far from home :)
Mornin’ everybody. Here’s another one of those hidden little things that Adobe snuck into Photoshop CC kind of under the radar in one of those periodic CC feature updates.
Believe it or not this one was added back in 2014 but it’s hard to find someone that actually realizes it’s there. It’s a built-in filter for creating all sorts of frames around an image. Here’s how it works:
Go under the Filter menu, under Render, and choose Picture Frame. If you just said, “What?! …Picture Frame?! Where did that come from…” you’re not alone.
Here’s the Frame window. From the frame pop-up menu you can choose 40-something different frame types from the awesome to the absurd. The more traditional looking frames are toward the bottom of the menu, like this art frame shown above. Depending on which frame style you choose there are a bunch of sliders to tweak it to your heart’s content.
I create a new blank layer before I open the filter, so I can resize the frame after it renders using Free Transform. I also added a soft drop shadow here just to add some depth.
I hope that started your week off with something new to mess around with in Photoshop, here’s wishing you your best week of the year (so far). :)
P.S.Hey, if you’re a photographer in the Portland, Oregon area – I’ll be there next week (on Thursday I believe) with my Shoot Like a Pro: Part 2 (reloaded!) seminar. Hope you can come out and join me.
Mornin’ everybody. I get a steady stream of questions about tethering into Lightroom (that’s where you connect your camera directly to your computer and when you shoot, your images appear really large on screen, instead of seeing them on the tiny 3″ monitor on the back of your camera). So this morning, I thought I’d quickly go through seven things you’ll probably want to know. Here goes:
Not every camera can tether to Lightroom Here’s a list from Adobe of the cameras it supports for tethering. It’s pretty much Canon and Nikon cameras, with a few Leica camera models (the tethering in Lightroom requires camera manufacturers to provide Adobe with support for tethering to their cameras, so it’s not something Adobe can just decide to do on their own without their support).
You can “super shrink” or hide the Tether bar (the heads up display) If you hold the Option key (PC: Alt key) and click on the little “x” in the top right corner of the bar, it will shrink the bar down to just a shutter button (yes, you can fire your camera’s shutter with that button). If you want to hide the bar altogether (but keep the tethering still active), press Command-T (PC: Ctrl-T).
That Table that holds my laptop is from Tethertools.com I always get asked where I got that table. There’s a company called Tethertools that does nothing but create accessories for people who tether, like the table. They also make an optional little slot under the table for holding an external hard drive; and (my favorite) a nicely designed pop-out drink holder (it’s handier than you’d think).
How to recover from a stall At some point, without warning, your tethering will just stop. It’s not your fault, but you will have to know how to recover from a “stall.” First, make sure you camera is awake. If it goes to sleep to protect the battery life of the camera, it puts tethering to sleep, too. If waking it doesn’t work — turn the camera on/off. If that doesn’t work, turn off Lightroom’s tethering (choose Stop Tethered Capture from the File menu), and then turn it back on in the same place. Lastly, unplug and replug the USB cable from your camera and your laptop. One of those will usually do the trick and get you back up and running. BTW: my wife is a pilot and takes great umbrage with my use of the phrase “recovering from a stall” for tethering. Just sayin’.
Canon cameras write a copy to the memory card in the camera. Nikon’s don’t. It’s just the way they’re set up by the manufacturer — it’s not Adobe showing a preference. On my 5D Mark III it writes to the compact flash card in the camera and I dig that because it gives me an automatic backup as I shoot, which is nice. NOTE: if you have trouble tethering to Nikon — try popping the card out of the camera.
You might already have the cable you need to tether Nearly all cameras ship with the exact cable you need to tether — it’s simply a USB cable with a mini USB on one end (that connects to the mini-USB port on your camera) and a regular USB on the other to plug into your computer. So, go look in the box your camera came in (it’s in your closet) to see if you kept it (you probably did). If you didn’t, you can buy a USB cable online — just ask for one with a mini USB on one end, and a regular USB on the other. The one I use (the long orange cable seen above), is from tethertools. It’s orange so you can see it easier in a dark studio.
Once tethered, you can do live client proofing to an iPad You can hand your client an iPad and have them see images from your shoot live on the iPad as you’re shooting (btw: clients super love this!). Not only that — they can see the shoot live on the Web, even if they’re not there (or, if they are there, they can share the shoot with a colleague or friend off site. I have a short video that explains the entire process below.
Hope you find that helpful, and hope it inspires you to give tethering a try. Once you do, you can’t imagine not tethering (yes, it’s that good!).