Category Archives Adobe

Hi, gang and greetings from Los Angeles where this morning Adobe will take the stage for their huge annual conference, Adobe MAX 2018 — held this year at the Los Angeles Convention Center. I’m very excited to be teaching at the conference this year — I’m teaching a class today and tomorrow called “How to Present Like a Pro” and I can’t wait to share a bunch of really helpful techniques with the folks here at the conference.

I’m not sharing anything out-of-turn or secret here, but I will tell you that historically Adobe releases big updates to products like Photoshop and Lightroom during their opening Adobe MAX keynote, (along with other products in the Adobe Creative Cloud, and sometimes they even launch new products), so it could potentially be a really exciting morning!

If anything substantial happens for Lightroom during Adobe’s keynote address, we would cover that over at our sister site, LightroomKillerTips.com – but again, that’s not a guarantee of future events, so…maybe there’s nothing new at all. But if Adobe does announce anything cool, don’t worry — we’d be “on it.”

Heads up KelbyOne Pro Members:
If anything big is announced today, we would generally release an issue of Photoshop User magazine covering anything new announced in the Keynote having to do with Photoshop that very same day (which would be, today). So, if they do wind up announce something cool, look for an issue of the mag to appear right away. Hey, ya never know.

I know it’s a whole lot of conjecture, based on things that have happened at past Adobe MAX keynotes, but if they do have some interesting announcements, at least you know we’ll be on it for you right away!

Hope I see you here at the conference, and hopefully in one of my classes.

Here’s to what could be a very exciting week!

Best,

-Scott
West Coast. West Coast! [Say that in a Snoop Dogg voice].

Image credit: Adobe Stock/determined

Scott Kelby’s Worldwide Photo Walk Day is back at it again this year, engaging thousands of photographers around the globe in pursuit of adventure and local photo ops. Before venturing out, you’ll need to pick your gadget of choice. One thing you may not know is that your phone is actually just as powerful as some DSLRs out on the market—especially when you leverage the RAW capture ability of Lightroom mobile’s camera. Have I piqued your interest? Keep reading.

Many of you might already be using Lightroom to sort and fine-tune your photos, but with the latest update of Lightroom CC , you can leverage the cloud and all its syncing magic. One of the most exciting things about Lightroom CC is that it offers syncing across devices—web, mobile, and desktop—so you don’t need to worry about managing or backing up your files. It also offers guided editing, preset syncing across devices, smart keyword searching, long exposure control, and easy sharing capabilities, to name a few features.

Don’t forget to prep your phone when putting together your photography kit this year! The Lightroom mobile camera is one of the best features of this powerful mobile editing suite. Alongside the ability to capture in RAW, it also has exposure compensation, shutter speed, ISO, and white balance tools right where you want them most: in the camera. Annoyed with your mobile camera AE lock? Manual control of your focal plane means never having to struggle with subjects that are too small for your fingers to tap. Perspective grids and custom image ratios make sure that your photos are precisely composed to exactly your vision, while highlight clipping helps keep your exposure in check while shooting via the screen under bright daylight conditions.

Don’t let the desktop define you, edit where you are. Do you have a look and feel you have developed for your editing style? On the go access to your Lightroom presets means you don’t have to wait until you are home to throw up that fresh set. As with Lightroom Classic, edits are nondestructive, saved, and can always be reverted to your original if you go too far. Bringing along your DSLR but still want to tap the power of field editing? With an SD card reader that adapts to your tablet or mobile phone, you can import your photos into Lightroom’s mobile client, organize into albums, tag, export full-resolution images, and share directly to the social platforms you choose via OS sharing tools. Want to share but not on social media? Try the Lightroom web sharing option to create a web gallery with optional file downloads that you can send to clients, family, friends, or post online.

The flexibility of being able to edit wherever you are, on whatever device you’re on, brings tons of value to photo trips or *ahem* Worldwide Photo Walks. You don’t need to limit your editing time by location, meaning your productivity skyrockets. If you have a favorite camera to use, imagine being able to edit those photos while out in the field. As well, for you phone photographers out there, if you shoot through the Lightroom mobile app, you can capture incredibly high-quality photos to immediately use then and there.

To take your photography beyond the camera, try out Adobe Capture CC , a multi-purpose app that translates your images into usable type, vector shapes, patterns, 3D materials, color themes, and brushes. If you’ve always wanted to try transforming your images with graphics, Adobe Capture gives you the tools to play. Create assets right from the camera in Capture, or import from your Lightroom catalog.

The Patterns module allows you to turn your camera into a kaleidoscope, giving you multiple ways of tessellating what your camera sees. Or you can create seamless tiling patterns for use as backgrounds, composite resources, or design elements. Another interesting feature for photographers is the Shapes module, which turns your phone’s camera into a vector graphic-making machine. This gives you the power to create infinitely scalable graphics out of regular photos, to use as logos, illustrations, animations, and more.

The assets you create in Capture are available immediately via Creative Cloud Libraries on compatible desktop and mobile apps. Snap a shape, and immediately find it in your CC Libraries panel in Photoshop and Illustrator. Generate a color palette in the Colors module to immediately use it in InDesign, After Effects, and more. Find your assets in the Creative Cloud Libraries panel on desktop, or in the associated asset panel in mobile apps. Want to share your asset wealth with others? Share right from in the Capture app, or on the web with Creative Cloud Libraries.

If you’d like to learn more about Adobe Lightroom CC and Capture CC, check out the resources below before going on your next trip for Worldwide Photo Walk Day!

https://theblog.adobe.com/lightroom-cc-try-it-and-learn-it/

https://theblog.adobe.com/august-lightroom-cc-releases/

https://blogs.adobe.com/jkost/2018/08/new-features-in-lightroom-cc-mobile.html

https://theblog.adobe.com/creative-refresher-capture-transforms-world-design-assets/

https://helpx.adobe.com/mobile-apps/help/capture-faq.html

 

Pollyanna Macchiano is a mobile app enthusiast and design program manager at Adobe who thrives on being involved in the arts: writing, doodling, and general nerdiness included. Powered by green tea and mochi.

 

 

 

 

Hello, internets! It’s #TravelTuesday again, so I’m here to impart some kind of wisdom onto you, and today it’s all about tweaking colour with Camera Raw’s Hue sliders. But first!

I’m writing this post from a Starbucks just outside of the Loch Lomond and The Trossachs National Park in Scotland, fresh from an overnight stop before I head farther north towards the Isle of Skye. I’m shooting a couple of little projects involving drone photography and Platypod tripods. You can keep up with what I’m doing on this trip by following me on social media (look for @capturewithdave) and by watching the @kelbyonepics Instagram story!

On with the blog!

The HSL  (Hue/Saturation/Luminance) Adjustments panel in Adobe Camera Raw is very useful, but perhaps most confusing are the Hue options. While the Saturation and Luminance sliders enhance the colours, the Hue sliders actually change them. There are some pretty powerful things you can do with the Hue sliders—you can even change the seasons in post if you tweak the colours the right way.

What’s actually happening when you adjust a colour slider in the Hue tab is that you’re moving its position on a colour wheel. In terms of its practical application, I’ll use the Hue sliders to adjust this photo and make the grass greener, whilst maintaining the other colours.

 

 

In this shot, the tones up in the sky are beautiful—the sun lowering in the sky (it’s 9pm) is casting a fabulous orange glow—but I feel like the grass should be just a little bit greener. We can take advantage of the Hue sliders and make this adjustment easily right in Camera Raw.

 

 

Using the Hue sliders to shift the colours within sections of the colour wheel, if we move the Yellows slider (the colour of the grass in this case) towards the green end, and compensate with the Oranges and Greens sliders to maintain the actual green and retain that orange in the sky by moving those sliders away from the yellow ends, we’ve easily achieved our goal! It’s as easy as that!

 

 

 

That grass is now greener, which to me is more realistic and more pleasing, and all it took was an understanding of what’s going on with the Hue tab’s sliders.

Much love

Dave

Heads up! I’ve rebranded somewhat – I was using the guise Hybrid Dave and have switched it all over now to Capture with Dave. You’ll find me by using the handle @capturewithdave across all platforms, and at capturewithdave.com. I’m still the same guy, and I’m working on some great content for you all, so watch this space. Let’s kick this off!

Combining the awesome features of Adobe Spark Post and Instagram Stories will make your stories stand out from the crowd, affording you a winning combination of animation and interactivity to give you the creative edge.

Your Adobe Spark Post app is included in your Adobe Creative Cloud subscription, along with Adobe Spark Page and Adobe Spark Video. Here are my seven killer tips for combining Adobe Spark Post with Instagram Stories – let’s go!

1. Select a template that matches the dimensions of a phone screen. Don’t forget they’re all slightly different, so allow some bleed as if you’re printing, and then go in and set the palette and font to match your brand.

2. Once you’re happy with your own template, create your first post and save it. That way, every time you create a new post, you can simply work off the last one by opening it up, duplicating it, and making the necessary changes.

3. Make the most of the animation features that you can apply to the background and the text. Make it dynamic and eye-catching!

4. Don’t forget which features you can only use effectively within Instagram. These include tagging accounts, locations, weather conditions, and polls. If you intend to use any of these features, be sure to leave space in your post on Adobe Spark Post and add that element in Instagram when posting your story. If you tag an account, for example, in the text on Adobe Spark Post, it won’t work within Instagram as a tag and the tagged account won’t be notified, nor will your viewers be able to click on it! Similarly, if you want to tag a location (which will give your post a chance of being featured on that location’s story), you must do it in Instagram – again, a tag within Adobe Spark Post won’t be recognised by Instagram.

5. Use your Live Photos to make quirky clips. When you open a Live Photo from your iPhone in Adobe Spark Post, it gives you two options: use Live Video or use the still. This Live Photo of Roberto Pisconti (@robypisco), standing in front of his name in lights when he visited London last week, was perfect for that!

6. If you record a screen capture and want to change it, like in this clip, to have a practically seamless change of content from an Instagram element (in this case a poll) to an Adobe Spark Post element (the moving text), then consider options to help you do this, such as taking a screenshot, which is how I ended up using two Instagram Story posts to make this.

7. Make the most of the design features of Adobe Spark Post to give your story the best feel and the biggest impact. You can do all kinds of things with the text in the post – just play around with it and see what potential it has!

Thanks for checking this out! If you watched my Instagram takeover from Iceland in January, this is how I made house posts. I’d love to see what you do, so when you use Adobe Spark Post to create your story, tag me – @CapturewithDave – I want to see what you can do!

Much love

Dave

Happy #TravelTuesday one and all! It’s that time of week again – kicking off 2k18 with #HybridDaveTuesdays right here on ScottKelby.com I’m going to impart some knowledge I’ve picked up from my journey in stock photography with an aim to help any of you wishing to start a journey of your own.

My personal experience lies largely with Getty Images, but I’ve recently explored Adobe Stock, too, and once you’re done here, you can learn a lot more about Adobe Stock in the KelbyOne classes by Terry White.

So, how much can you earn from stock? Well, it’s all dependant on just how good your images are, how well they can be found by those who need them, and how many images you can supply. Let’s break down each of those points to see how to make the difference between pocket money and salary gains.

 

 

How good are your images?

This speaks for itself in many ways, but to be specific it’s worth noting the following ‘Quality Control’ factors which come into play, and also that if you don’t hit them consistently, you may risk jeopardising your position. The application process is stringent enough with some agencies, and it’s not worth risking what you’ve achieved with a questionable shot. These ‘Quality Control’ factors include sharpness, resolution, over-processing, and many other similar measures.

Another consideration within this category is the suitability of your images. When submitting, you should think about the application of the shot and it’s relevance, determining, as a result, the likelihood of it being purchased and better yet, continually purchased.

 

Can your images be found?

One of the most important skills when it comes to the submission of stock images is their keywording. Look at it this way – if you want people to buy your photos, the customer must be able to find them! It’s so obvious, but so overlooked and keywording is a skill in itself. Take this example:

I’m a marketer looking for stock images of car materials, and I’m based in the UK. You’re a stock photographer based in the USA, and you have some photos that match what I’m looking for but in order for me to find them when I search the agencies images, you need to have keyworded them correctly. I’m looking for aluminium, and you’ve got a great shot of a sheet of worked aluminium. In order for me to find that image, you have to assume that I’m searching for my spelling. If your photo is also keyworded al, metal, material, shiny, silver, grey, gray, and any other related terms you can think to use, then your shot will be found more frequently in more searches, thereby being exposed to a greater audience and have more sales potential.

 

Are you submitting enough images?

The chances of your images being found and sold, even with excellent keywording, is still slim amongst the immense plethora of competition. Adobe Stock alone has a library of some 90 million images ready to be licenced! Anybody in the industry who makes a substantial income from stock photography has masses of photos and keeps up to date with demand and trends. By the way, food and sports make the biggest sales. ;)

 

 

The journey into stock photography can be packed with setbacks, but if you work hard and focus on overcoming those setbacks, you really can earn from stock. Think of it this way: you may as well submit the photos you’ve already taken anyway and turn it into some cash! Here are some quick-fire extra tips:

With keywording, practice and absolutely nail it! Look for traits and emotions, too. Basically, think like a buyer rather than a seller – think of what people could be searching for in order to return your image to the top of the pile.

Your critical eye isn’t always right. I’ve said before when writing about Instagram that it’s often the case that the photos I like don’t perform as well as I expect and, conversely, the photos I don’t like so much perform much better than I anticipated. Photographers really are their own worst critics. This applies equally to stock photography – you’ll find that photos you don’t like so much will sell time and time again. The big one for me is the photo below, entitled “Parisien Taxi,” which seems to appear on every single monthly statement I receive.

 

 

To my eye, its technical qualities are there, but in terms of creativity, I don’t like it. My point is that it sells and as I’ve said, maximising your reach through compiling a large library of stock will be the difference between making enough for a coffee and making enough for a new lens.

Be aware of brands. My first encounter with this issue was a lucky one really. I had an image up which was of a hand on a guitar fret. The machine head had a Fender logo on it. Fortunately, the client had made their mind up that my image was the one they wanted and the agency dropped me an e-mail requesting that I remove the logo and send it back. That tweak made me a $1,000 sale, and the image was used on a billboard in Michigan, OH. The reason for this is that commercially licensable images mustn’t contain brands or trademarks.

Supply the demand. Take a look at the market, and you’ll find both clues and instructions as to what’s hot right now. If you can quickly put a shoot together based on these generic briefs, then there’s money to be made!

So, now that you’re armed, go get yourself into stock and start making money while you sleep!

Let me know how you get on; I’d love to see the links to your stock portfolios! As always, I’m happy to help, and you can reach out on any social platform – find me at Hybrid Dave.

Much love,

Dave

Today, during the opening keynote at Adobe’s MAX Conference in Las Vegas, it’s a day of big announcements, new features, new applications, and just tons of cool stuff! Here’s a brief look at what’s coming:

Above Left: The Lightroom we know and love is now rebranded as “Lightroom Classic” – Above Right: There’s a new Lightroom in town, it’s branded as “Lightroom CC” — it’s Lightroom for “the new generation” (my words, borrowed from Pepsi I think). 

Let’s Start with Lightroom
Lots going on in the world of Lightroom, including an update (which includes a HUGE speed boost in performance, and new features); plus there’s a whole new version of Lightroom!

Today we’re releasing the new issue of Lightroom magazine (Issue #34) published 10-times a year for KelbyOne members, and our cover story is from Lightroom super brain Rob Sylvan, and he goes over the new “Ecosystem” for Lightroom; looks at the new Lightroom CC (who it’s for, and how it works), and goes over the new features in Lightroom Classic. It’s over on our sister site: LightroomKillerTips.com

Photoshop CC gets a BIG update!
Lots of new features in Photoshop CC — lots! (one of my favorites is shown above; the ability to easily edit 360° panos taken with those new 360° cameras that are becoming hot right now), but there’s lots of great stuff throughout, including the ability to open sync’d images from Lightroom from right within Photoshop; a new Quick Share option to get your images directly from Photoshop to social media; big improvements to the Pen tool (including a new Pen tool); Type enhancements; lots of great Brush Stuff; a big new masking feature in Camera RAW, and on and on.

Live “What’s Next in Photoshop and Lightroom” Webcast
Today at 11:00 AM EDT I’m doing a LIVE Webcast for KelbyOne Members to answer questions about all the new Lightroom changes; talk about the new Photoshop stuff, and chat live with members from around the world.

Here’s the link to watch and join in the discussion.

NEW COURSE: “Get Up To Speed FAST on the new Photoshop CC 2018”
Today at KelbyOne we’re releasing my full-length course on all the new features in Photoshop CC 2018, to help our members get up to speed fast! Check out the member’s dashboard today for direct access to this brand new class — there’s a LOT of cool stuff to learn about this major update to Photoshop CC.

It’s an exciting day to be a Lightroom, Photoshop or Adobe Creative Cloud user (lots of new stuff for CC subscribers today, including new applications and updates).

Don’t forget ‘The Grid” at 4:00 PM today with my guest, wedding photographer Justin Wojtczak
It’s going to be a great show – lots to share and talk about. Here’s the link.

See you online today!

Best,

-Scott

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