Over the past few weeks, I’ve been highlighting some of the those little improvements Adobe snuck into Lightroom 3 Public Beta. These aren’t the features that are going to get any big fanfare, but may wind up impacting your daily workflow more than you’d think by either removing frustration or simply making things easier (and I’m all for that). The first one is a really helpful tweak they made to the Import Image window (which has been completely revamped in Lightroom 3, but it’s not about the redesign---it's about one particular tweak). Above: Previously, your only Import choice was lots of thumbnails. Now you can zoom in for a much larger preview to check sharpness, details, etc. #1 The first tweak is that you now get some of the same preview functionality in the Import Window before you import the photos, that normally you…
[Ed. Note – Some of the imagery within this post contains artistic nudity. If you prefer not to view these images, don’t click the “Read the rest of this entry” link.]
There never is a dull moment, because every moment is meaningful.
Howard Schatz: Photographer, Retinal Specialist M.D.
Howard Schatz is a man not easily described. His interests and passions run deep and broad. His choice of photographic subjects is wide ranging, from pregnancy, to newborns, to athletes and dancers and people with rare talents. He studies and photographs the human body and the way it moves, as well as light, water and fauna. Howard photographs stunning models flaunting their freakish beauty in extraordinary settings one day, and rare flowers exhibiting pure grace the next. Prima ballerinas underwater at his custom designed pool in a dream of weightlessness, and breakdancers on the stage of his versatile New York studio.
He photographs actors famous the world over as well as those not yet known anywhere. He directs them for his lens from no more than two feet away. Prisoners at Sing Sing, the homeless on the streets of San Francisco, club goers in New York, Cirque Du Soleil in the ring, and boxers, both retired and still fighting, the world over all make appearances in his camera. He paints fonts with light and creates other fonts out of nimble and acrobatic dancers. He shoots campaigns for Sprite, Showtime, Ralph Lauren, Epson, Neil LaBute and Macdonalds. He shoots editorials for Sports Illustrated, Newsweek, Vanity Fair and Time to name just a few. He does all of this with an exactitude fitting a surgeon. His photographs are exhibited at museums and galleries in the Netherlands, Germany, Switzerland, Austria, Italy, Canada, Argentina, New York, San Francisco, Honolulu, Tokyo, Edinburgh, Brussels, Stockholm, Paris, Cannes, Florence, Antwerp, Milan, Lausanne, Lisbon, Kiev and on and on…
Myself: Bart Babinski, Howard’s assistant; Aspiring Photographer
Born in Poland, grown up in Libya, Italy, Germany and northern New Jersey; BFA in photography NJCU; Cinematography student at The New School and the Kieslowski Film Dept. of Silesia University; Passionate about looking, seeing, and making images, plus life, people and the world, in all its color.
We all know what it is, but what is it really?
Here is the tweaked, and re-tweaked 3rd episode of the new season of Photoshop User TV! We've been really listening to your feedback, and each week we're trying to massage the show and get the balance and speed just right (among other things), and I think we're getting closer. Also, we tweaked some lighting and audio stuff as well, but the big news is that later this week (maybe on Friday) we're releasing a special bonus "Insider's Guide" to the show that explains what all the inside jokes are about, where they came from, the history, etc. (stuff like "Pointy, Choppy" the "horse references," and "Jazz hands" the "Steam references" and "Blammo" and all the other stupid stuff that just won't go away). I'll let you guys know when the bonus episode (of sorts) goes live (maybe I'll run it here on Friday).
...the next person in our Assistant Guest Blog series, Bart Babinski! Bart has been working with Howard Schatz for the past few years. After reading his blog, I (Brad) can tell you that he's learned quite a lot about many different types of photography from Howard. It's interesting to hear him talk about finding ways to make the impossible possible, because Howard does some crazy experiments! So check back tomorrow to get some insight into the world of a very innovative photographer and what it's like to help him break down the walls of impossibility!
Remember last week when I did that post about a better option from IKEA for hanging your unframed prints on the wall, that I got from Ed Loziuk (one of my blog readers)? Well, although I was able to show the actual IKEA parts (the rail and the clips), some people posted comments asking for images of what it actually looks like in use. Well, Ed was nice enough to take a couple of shots, and he let me share them here with you. Thanks once again Ed---you're a good man! :)
Hi everybody. It's Monday, here's what's up! Lesson One: Don't Let McNally Hold Your Camera This past weekend, my wife and I flew up to New York City to spend a few days with Joe McNally and his wonderful wife Anne, and we just had an absolute blast!!!! They took us to Broadway shows; unbelievable restaurants; we went shopping everywhere, and it seemed like we were laughing or giggling for three straight days---it just rocked! But an odd thing happened along the way. At some point, I had to run into the hotel to grab a jacket and I asked Joe to hold my camera for a minute. It wasn't until the later that night, after shooting shots of Manhattan from across the Brooklyn Bridge, that I actually started looking through my shots, and that's when I ran across the images you see above---ones…