Posts By Scott Kelby

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Happy Monday, everybody! It’s Worldwide Photo Walk winners week, and here’s our schedule:

Today: Our new Video Category (for video taken during the photo walk).
Tomorrow: The Finalists and Grand Prize Overall Winner of the 2016 Worldwide Photo Walk
Friday: The People’s Choice Award Winner
Next Monday: The Photo Walk Leaders Competition

This is the first year we’ve added this new “Video shot during the photo walk” category, and Canon USA (our sponsor) was gracious enough to make a pretty amazing prize available for the winner of this new category. The Video Category winner receives:

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The Canon Video Creator Kit (seen above). The  kit includes the new Canon EOS 80D Body; their new 18-135mm lens;Canon Power Zoom Adapter; RODE VideoMic Go; a 32G SD Card, and all the other goodies (battery, charger, strap, etc.). High-five to Rob Altman of Canon USA for his vision, support, and for helping us launch this new category in such a meaningful way — Canon has been an absolutely AWESOME sponsor!!! 

OK, let’s get right to it — we’ll start with the winner, and then I’m going to share a few other videos that, while they didn’t win any prizes, I thought they deserved some attention.

AND THE WINNER IS…RICHIE REYNAN  TAN for his video “Camaraderie” 

Congratulations to Richie Reynan Tan — that looks like an awesome photo walk! :)

Other videos that, while they didn’t win any prizes, still deserve a mention:

This one is from Christopher Arnold from Stuart, Florida

This one was just so cute! Susie Lee with her video: “Her First Roll of Film.”

From Adam Carter with this video Out Photo Walking 2016. I like this guy (you have to stick with this one — it gets stronger as it goes)

From the Gamcheon Cultural Village PhotoWalk, South Korea Photo Walk, by Carlos Vasquez. It just looks like a fun time! (and isn’t fun just the best thing to have?)

I liked this one from Egypt by Kahled AboBakr— they look like a great group of photographers. :)

OK, last one: This is from the Ft. Worth, Texas Stockyards by Brandi Korte (I actually did a photo walk there once as part of a conference I was speaking at). Great area for a photo walk.

Thanks for letting me share all of these with you; congrats once again to our prize winner Reynan, and a big, big thanks to the 2016 Worldwide Photo Walk Official Sponsor, Canon USA, for making this new video category a reality. :)

See you tomorrow for the big reveal of the 10 Finalists and the overall Grand Prize Winner! Somebody’s getting an amazing camera! :)

All my best,

-Scott

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Today is Veterans Day in the US, and I wanted to take a moment to honor and thank the men and women who have served in our country’s military, and who fought to defend the very freedoms we enjoy each day.

America owes you a debt of gratitude for your service and sacrifice, and I just wanted to join in…

Here’s wishing you all a great weekend. :)

Best,

-Scott

It’s going to be a great Tuesday, let’s kick it off with some football and remote stuff:

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I had such a fantastic time shooting with the Miami Dolphins photo crew for the Dolphins big win against the Jets (shoutout to Surf, Jon, Brandon, and Jeff – these guys are doing some really progressive stuff photography wise and social media wise).

I was psyched to see one of my images on the Dolphin’s Social Media during the game. That’s one of my shots above, taken with a remote camera rig (see below), so I thought I’d break that down here on the blog.

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Above: Here’s the remote camera rig (I took this shot at the game). This is actually a surprisingly simple set-up.

(1) You need two PocketWizard Plus IIIs — that’s what wirelessly fires the camera. One goes on top of your remote camera (as seen here); the other goes on top of the camera you’re holding in your hand. You could just fire the remote by pressing the Test button on the other PocketWizard, but I prefer that it fires the remote automatically when I fire the camera I’m holding in my hands. All you have to do to make that happen, is put the second PocketWizard Plus III on the hotshoe mount of the camera you’re shooting. Boom. Done.

(2) You will need a little connector cable (sold by PocketWizard) that connects the PocketWizard to the port on the side of your camera where you’d normally plug in a cable release. Make sure you buy the cable that fits your camera’s brand, make and model.

(3) I use a Platypod Pro Max as my base. It’s very thin, sturdy as anything (made of aircraft grade aluminum), and I could do a whole blog post just about it and how you can use it. Believe it not, this will easily mount to a goal post. It’s the best ever!

(4) You will need some type of ballhead, so you can aim your camera. I used an inexpensive Oben BE-117 (around $79 from B&H Photo). Actually, a darn good ballhead for the price, and holds up to 17+ pounds.

Of course, you will need a body and a lens. I used a Canon 1Dx with a 14mm ultra wide angle lens to get a little more depth (since I had to position it kind of blindly).

Camera Settings
I set my f-stop at f/5.6, and my Shutter Speed was 1/1000 of a second, at 160 ISO (that ISO is courtesy of Auto ISO, which I always have turned on at the game, with the minimum shutter speed set at 1/1000).

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Above: Here’s the placement. The timing is so tight that you don’t get a lot of time to precisely position it. Since the players and the smoke aren’t firing at full bore, the whole thing is a bit of crap-shoot, which is why having an Ultrawide 14mm lens is a good choice. It’s going to get everything — it’s all going to be in focus, and you can just crop it in later. dolremote2

Above: Here’s a better look. This was taken with a 70-200mm I’m holding in my hands to shoot the player intros. Again, when I fire my handheld camera, it automatically fires that remote camera at the same time. Well, pretty close anyway.

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Above: Here’s the shot taken with my handheld 70-200mm, shooting down on my knees (oy!). Not nearly as epic looking or dynamic as the remote shot down super low, and plus you see the other photographers in the tunnel (special thanks to our buddy Jon Willey for wearing that bright green vest and positioning himself right in the frame). ;-)  The video guy behind him didn’t follow every player out — just the last one, so you wouldn’t normally see him. But Jon? Yes, of course, always. In every frame. Like a beacon in the night. Or in the smoke. Whatever…he was there. I took the last chicken wing in the photo workroom just to get even with him. ;-)

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Above: Sometimes you get lucky and for just a few moments Jon gets hidden behind one of the smoke plumes. Ahhh, but you just can’t count on that smoke.

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Above: This is the un-cropped 14mm lens shot so you can see how wide it really is. Now that is WIDE!!!!

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Above: I had to shoot a couple of stadium shots with the 14mm, before they opened the doors to the public.

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Above: The 14mm from the 50-yard-line up high.

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Above: Of course, I had to try a 15mm fisheye shot, while I was there. There’s always room for one or two fish shots.

I hope you found at least some of that helpful. The remote camera thing is easier than you’d think, and it’s not just for sports — the last wedding I shot, I set up a remote camera behind the alter to get the expressions of the Bride and Groom.

The Dolphins Photo Crew Rocks!
A big thanks to Jon, Surf and the crew for the opportunity to shoot with you guys. What a first-class operation — everybody we met was so incredibly gracious and really made me (and my buddy Winston who was shooting with us), feel right at home. I was so impressed with how they’re running their photo operations (with 8 on-field photographers at home games) and their integration and support of social media. These guys are leading the way, and it was fascinating to see what they’re doing now, and what they have planned in the future. Also, my personal thanks to Dolphins photographer, the awesome, Rob Foldy, for bringing us all together in the first place. Feel the love, baby!

One for the road…
It’s a pano of the stadium taken with my iPhone 7.

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Have a great Tuesday everybody, and I hope I’ll see you tomorrow at 4pm ET for “The Grid” — we’re talking about Lighting and other fun stuff!

Best,

-Scott

P.S. Hey Las Vegas photographers – My seminar is coming there in 8-days. Come out and spend the day with me. 

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This may win the award for “latest posting of photos from a trip” but I finally got them up there over at exposure.co (the photo storytelling site I’ve been using for a few years now). It’s perfect for when you want to tell the story with pictures and words, and that’s what I’ve done here.

Here’s the link.

Thanks for letting me share some of my photos from the trip with you.

Here’s wishing you your best Monday of the year (so far). :)

Best,

-Scott

Sorry for the late post, gang. I shot the Thursday night game last night and got home after 1:30 am and I was beat! Anyway, I’ve been meaning to post some pics from some of the games I’ve been shooting, but I’ve been shooting so sporadically (the Bucs have been on the road so much), but I’ve finally got a chance to share some of the my favorites.

After that long drought, now I’ve got three games in one week (Last Sunday’s Bucs vs. Raiders, last night’s Bucs vs. Falcons and this Sunday’s Dolphins vs. Jets down in Miami).

Today I’m sharing some from the Bucs vs. Falcons (last night); Vols vs. Alabama College game, plus Bucs vs. Raiders. I’ll post my gear and settings at the end.

Bucs vs. Falcons
Raymond James Stadium, Tampa (Bucs are in their red “Color Rush” uniforms for Thursday night)

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Bucs vs. Raiders
Raymond James Stadium, Tampa

NFL 2016 - Buccaneers vs. Raiders

 

 

Tennessee Vols vs. Alabama Crimson Tide
Shot in Tennessee with the awesome Vols crew, led by Donald Page (you’ll see him in the gallery with the sunglasses).

 

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Camera Gear
> Main Body: Canon EOS 1Dx with a Canon 400mm f/2.8 lens on a Gitzo monopod
> 2nd Body: Canon EOS 1Dx with a 70-200mm f/2.8 lens
> Black Rapid Strap for 2nd body.
> Accessories as shown below.

Note: For the Vols game, I also used a 14mm super wide angle lens mounted on the end of the Monopod and triggered using a PocketWizard Plus III

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Camera Settings
Aperture: f/2.8 (never changes)
Shutter Speed: 1/1000 of a second minimum (I use Auto ISO with the minimum shutter speed set to 1/1000)
ISO: Varies but it’s chosen automatically because I use Auto ISO

Hope you found that helpful.

OK, I’m off to shoot the Dolphins. Hoping to be able to set up a remote camera for the player intros, and I’ll be taking some shots of the stadium up with with it empty before they open the stadium to the public.

Hope you all have a great weekend!

Best,

-Scott

P.S. Photographers in Las Vegas — I’m there with my Shoot Like a Pro: Reloaded seminar in just a couple of weeks. Come on out and spend the day with me. 🙂

Happy Tuesday and welcome to November everybody (I know, I can’t believe it’s November already either).

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So, you guys know I’m a huge fan of TetherTools, and I use a bunch of their gear when I shoot tethered either in the studio or on location, so when I saw this blog post from them on how to shoot tethered directly into your iPad, I thought you all might be interested (and yes, I know there are a bunch of different ways to do this, but there are some distinct advantages to their solution).

Anyway, here’s a link to their post — it’s really useful, and I hope you find it helpful.

In other news…
(1) Did I mention Photoshop World Conference 2017 Orlando registration is now open? (I know I did, but it bears repeating, right?) We’re there in the Spring of 2017. You oughta come out (and get your tickets now while they’re really cheap!).

(2) Thanks to everybody who follows me on Instagram (and has been with me on my Instagram journey, or maybe took my class on how to build your audience on Instagram). I just hit 100,000 followers there last week, and I’m very grateful to everyone who follows me there, and let’s me share my travel photography images with them there daily. You guys rock!

(3) If you’re into Lightroom Mobile, I have a brand new super-awesome book on it, and it’s available right now in print or in ebook version from Amazon, or Barnes & Noble, or wherever cool Lightroom books are sold. BTW: It’s only about $20 for the print edition, and around $10 for the eBook version. Pretty sweet deals both (well, of course I would say that, but it’s true). 

OK, that’s pretty much all the news I got (though Adobe MAX is happening, so check my Facebook page for the latest stuff about any Creative Cloud updates to Photoshop, Lightroom and stuff).

Gotta run — hope your November is off to an awesome start!

Best,

-Scott

 

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