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  • Monthly Archives March 2012

    Sunnfun1

    (Above: That's "Fifi," the world's only still-flying B-29 Super Fortress out on the flight line at dawn. Shot with a Nikon D4, and a 24-120mm f/4 lens I borrowed from NPS).  This was my third time shooting the Fly-in (it takes place in my hometown of Lakeland, Florida), and this is the first time that I could actually stay and shoot the entire day (Well, I left before sunset to meet my family at Disney World), but I got more shooting in than all the previous times combined. I was there as a guest of Sun n' Fun's official photographer, my buddy Jose Ramos, (link) along with Nikon Professional Services (NPS) who hosted me for the day in the event's Nikon Media Center, and I got the honor to shoot alongside Bill Fortney, Bill Pekela, David Lee, and Scott Diussa (and of course, my buddy…

    wtp

    What The Plus! from Guy Kawasaki Our friend Guy Kawasaki has made his latest book, What The Plus!, available as a free download for 500 people! Just click this link and grab your copy for free until supplies run out. If you don't get it in time, you can get it in your preferred e-book format for under $3 from Guy's website. Douglas Sonders Nik Webinar Douglas Sonders will be presenting a free live webinar on Using Nik Software To Step Up Your On-Location Photoshoots on Tuesday, April 10 at 1:00pm EDT. If you've seen Douglas' Kelby Training class, or if you happened to catch one of his classes at Photoshop World a few days ago, you know this is something you won't want to miss. This webinar is limited to 1,000 people, so make sure you sign up soon! KelbyTraining.com Check out Bill Fortney's…

    Farah+Jahan_T_0161

    “Life is pretty simple: You do some stuff. Most fails. Some works. You do more of what works. If it works big, others quickly copy it. Then you do something else. The trick is the doing something else.”
    – Leonardo da Vinci

    My name is Matt Adcock and I am lucky to have found my dream partner, Sol Tamargo. Together we run Del Sol Photography in Playa del Carmen, Mexico and we are always in search of “something else.” Since 2005, we’ve been using water and climate to create original, fun, and artistic wedding photography. I’d love the opportunity to share some of that with you and also wanted to thank Scott Kelby and Brad Moore for giving me the chance to do so.

    For Sol and I, as I’m sure is the case with so many talented artists and artist teams, finding ways to stay fresh and creative, break out of routines, and chase that “something else” is a labour of love. It takes patience (which we don’t always have), it takes dedication (which is sometimes hard to muster), and it takes an ability to embrace the unknown to be ready to take advantage of it – which is so hard to see coming!

    For Sol and I, we have a few areas that are the keystones of our efforts in our attempts to chase that “something else…”


    Photo by Juan

    Make Epic Photos About Them
    If you allow yourself to daydream a little, it’s pretty magical where you can go with a creative mind. After listening to and understanding our clients’ expectations, we try to figure out the perfect shot for them. We brainstorm and sometimes even make sketches (when necessary) to see the frame. Our favorite clients are always dreaming and picturing “what if”… so it’s important that our imagination is in tune with theirs.

    Imagine carrying 2 Underwater Housings (and all of the accoutrements) more than 500 miles from home with 3 packs (full of gear) by car, plane and boat to reach your destination. Imagine further, 5 more boats on the wedding day and a tiny strip of sand in the middle of nowhere – San Pedro, Belize. A solid example with one of our craziest executions making photos of �them� happened a when our studio received this inquiry:

    “My fiance Lara and I are planning a wedding in Belize…. picture it… A white sand beach that crests just above the water not more than a few inches… no trees, no dirt… nothing but sand… water so clear it magnifies the ocean floor for miles around and skies so blue and perfect that the odd cloud only enhances every scene…”


    Photo by Matt (more from this event here)

    Equipment + Environment – Use it and Abuse it!
    Ever look down a windy beach and see that mist that travels off the ocean with the wind? In Spanish, the word for this misty salty mash is “Bruma.” We are always surrounded by it – whether we like it or not!

    During one session, I wanted to feature the “Bruma.” I knew a creatively used flash would add the dimension to the frame I was looking for. Basically we sculpted with light creating shadows with a little back lighting using a small speedlight at full power, full CTO Gel on my flash and my WB set to 10,000 kelvin.


    Photo by Matt

    While the toll is high… Imagine changing lenses or having anything with metal contacts in this environment, don’t even think about sensor gunk – it’s unbelievable. Tropical climate for sure means a reduced shelf life for electronics – but when you get an image like this, it’s all worth it. Our suggestion is to invest in sealed camera bodies and buy the professional lenses to increase usability if you plan on working tropical.

    Inspire and be Inspired
    The late Steve Jobs quoted Picasso: Good artists copy and even greater artists steal! The idea is that nothing is really original, everything we produce as artists is a reflection from something or someone that we were influenced by. While I think the word stealing is heavily laden with sometimes negative connotations – I love to be inspired, I love to give credit where credit is due, and I love to take ideas to new levels.

    I would like to thank Tony Hoffer (again) for stopping me dead in my tracks and reminding me to take risks with weather. A few years ago, my bags were packed and I retreated when rain occurred. Seems like the intelligent thing to do right? Ever since that first time I laid eyes on Tony’s engagement image, I’m excited when mother natures throws me a curve-ball. Tony didn’t invent the rain, but he certainly had a thing or two to share and I think we’re all the better for it!


    Photo by Matt

    Did I steal this image? No, I don’t think so. Did I glean inspiration from Tony�s original creation? Absolutely, and I worked hard to push it further in a very different setting, and �was quick enough to recognize a great set of circumstances were aligning when I captured this moment (somewhat lucky too). The reflection / bounce on this all black umbrella caused this amazingly soft down light. I didn’t plan that :). Also, her toe kick and the little trickle of water being lit by the flash really gives an additional movement feature to this frame…

    Personal Projects as a Lifeline to Creative Freedom
    Trash the Dress (TTD) has become a real source of creative freedom for Sol and I as it started as a personal project. Although it’s hard to reinvent yourself each shoot, we find ways to trip the imagination and come up with �something else.� The fun comes in the challenges we face, rugged locations, hikes, mosquitos, and almost anti-gravity underwater. The real kicker, these people aren’t models, and quite often they can’t swim! Its a bit cold as well, 62 degrees, so we really only have 30 -45 minutes of shooting time underwater. There are many risks, but the payoff is monumental.

    Did I also mention that we find our way into caves to get this crystal clear water? They’re natural sink holes, called cenotes (se-no-tays), considered a sacred portal to the Mayan Underworld. The cenotes are part of the largest underground cave network in the world and exist only here in Mexico. Somehow we were able to merge daydreaming / fantasy photography and our brides into a business that is as far away from the “aisle” as possible. When was the last time a wedding photographer donned a wetsuit for anything wedding related?

    I wanted to share a few TTD frames because this has been one of the most amazing things to happen to us. As you look through these TTD snaps, realize that we are always shooting for US and less worrying about client expectations.


    Photo by Sol

    hash

    Hi Gang, and greetings from Atlanta's Hartfield/Jackson Int'l Airport where I'm between flights on my way back from one of, if not, my favorite Photoshop World's of all time! (To see some of the images from the conference that were uploaded during the event (seen above), here's the link). My flight boards shortly, so I only have a minute (and this post is already way late as it is), but I wanted to thank everyone who came out to Washington DC this past week, and who helped to make it our highest attended East Coast Photoshop World Conference ever! The energy of the crowd in DC was amazing, and the participant's enthusiasm and attitude make it an incredible experience for the instructors. When you have students engaged at this level, it just sweeps over you and wonderful things happen for everyone involved. I taught four…

    Blooms

    The Cherry Blossoms are in full bloom, and it was a glorious day here in DC as we get ready to kick off our largest East Coast Photoshop World Conference and Expo ever! (The photo above was taken yesterday afternoon by my wife Kalebra with her "Trusty iPhone"). Here's a quick update on what's going here at the convention: (1) Adobe's Lightroom Lab on the Expo Floor Adobe has created a 2nd booth on the show floor (Booth #455), right next to Westcott's "Shootout Bays" (Booth #443) so you can shoot the live models with Westcott's lighting and amazingly creative sets, then take your images right next door to Adobe's lab, upload them and play with them with the new Lightroom 4 (how cool is that!!!). CONTEST ALERT!!!! Check this out --- after you're done editing in Lightroom 4 at the Adobe lab, you can upload…

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