So, yesterday we had four very awesome folks from Adobe’s Photoshop Team down at our headquarters for a visit for a couple of days, and among them was Senior Product Manager for Photoshop, Bryan O’Neil Hughes (you might recognize Bryan from his demos on stage during past Photoshop World Conference keynote presentations, or from his Guest Blog post here on my blog)
Anyway, since Bryan was here, we thought it would be fun to do a special Bonus episode of “The Grid” and have Bryan on live for what we called “Grill the Photoshop Product Manager.” Luckily, Bryan was up for, and grill him we did (in fact, I kinda felt bad a couple of times), but Bryan is such a class act, and such a cool cat under pressure, that he sailed through it all, and provided some really great insights and answers.
(Adove: That’s Bryan on the far left, during the live broadcast yesterday. Photo by Pete Collins).
One of the times I felt bad, was when we were calling Bryan on the carpet for the lame built-in presets in Photoshop CS5’s new HDR Pro. There’s a whole story behind it (which you have to hear, so watch the show), but Bryan turned the tables on me when I told him he should have called us, and we would have made some decent presets for him, and for the next version of Photoshop, he should pick up the phone and ask RC (author of “The HDR Book”), and Matt and me and we’d give them some presets. He basically said, “Why wait until the next version of Photoshop? Why don’t you guys share some presets now?” He got us with that one.
So, here (below) are my settings for my favorite HDR Pro preset (I use this preset to create the 5-image HDR image above. I show this same image on my Google+ page earlier in the week, but I had processed that version with Photomatix Pro 4 instead) RC is making two custom presets for you as well, and so is Matt Kloskowski, but since I already use this one all the time (In fact I talk about in my CS5 book for Digital Photographers—I call it “Scott 5” because it was the 5th preset I saved to my presets list).
Once you dial those in (just click on the Curve to add points), then you’ll want to save all these settings as a one-click preset. To do that, go to the pop-out menu at the top right corner of the HDR Pro window (to the right of the preset pop-up menu where it says “Custom”), and choose Save Preset (as shown below). Give it a name (you don’t have to name it “Scott 5”—you can call it “Scott 6” ;-) ), and then this preset will be available to you anytime you make an HDR in CS5’s HDR Pro.
My thanks to Bryan, Zorana (I think she was afraid at some point that we’d yell, “Let’s throw another Product Manger on the Barbie”), Matthew, and Jim for coming all the way to Florida to spend a few days with us. It was a lot of fun, a great exchange, and I hope we get to do it again soon. Also, a special thanks to Bryan for letting us lightly char him on the grill, and for nudging us into sharing some cool HDR presets. Safe travels you all! :)