Open Q&A day with Scott Kelby & Erik Kuna | The Grid Ep. 488
This week on The Grid, Scott and Erik answer viewer questions! No topic of the day, just anything viewers want to know about. Tune in to see all the great info they shared!
New KelbyOne Course: Putting Emotion Into Your Wildlife Photography with Kristi Odom
Kristi Odom’s years of photographing personal projects and conservation work have taught her a unique way of seeing emotion and have forever changed how she approaches photographing wildlife. Animals have a different way of showing and expressing emotion. How do you take an emotion and make it two-dimensional? How do you get people to connect and feel when they look at an image? Kristi will answer those questions and more. In this session you’ll learn tips and tricks on how to put more emotion into your wildlife photography, ultimately creating a more impactful image.
It’s #TravelTuesday again and I, Dave Williams, am here! You didn’t think I’d skip the world’s favourite photography blog just because I’m full-time on the road now, did you? On that note, I’d like to say a huge thanks to everyone that tuned in to the premiere episode of Due North on YouTube on Sunday. I promise my videos will improve – I’ve just picked up Premiere Pro and the Adobe magicians have pointed me in the right direction.
I am now officially heading north and my first proper night was spent at the Scottish border. I woke up to a beautiful purple and pink sky, and all the vibes I needed to put my mind in the right place were there. Exploring and simultaneously sharing is what I absolutely love to do. Everything else that comes with it could be considered a by-product. After I captured a few shots of my sleeping spot, I headed towards Kielder Forest because there’s one shot I wanted to get. It’s that shot that I’m here to tell you all about.
In Kielder Forest, there are several art installations. This particular one is called the Nick Shelter, at Blakehope Nick on Forest Drive in Kielder Forest, UK. The reason I wanted to shoot it is all down to having seen a friend’s shot taken there.
I wanted the shot. It hit the list the moment I saw it and I wanted it. In photography, we’re concerned about copyright and other infringements, but we learn a lot by copying. It’s all summed up quite nicely in Glyn Dewis’ book, Shoot Like a Thief, which is a great resource for learning methods, along with the rest of his books.
I knew I’d learn something and I knew it would be worth my while in going and shooting this location with Kofifernweh in the centre of the frame, so I banked the image my friend took and didn’t look at it again. I headed out to Kielder Forest and found the sculpture, lined the van up, and took my shot. Here’s what I ended up with: –
It’s not perfect, but it’s mine. I love the concentric pattern of the pentagonal slats that form this sculpture, and the handy little parking spot across the road at the end is almost asking to be used for photos.
So there it is. My advice to you all this week is to find a photo you love and copy it! Add your own style, your own ideas, your own signature moves, but take inspiration from the work of others and use it to better yourself.
Blind Photo Critiques with Scott Kelby, Erik Kuna & Mary Bel | The Grid Ep. 487
This week Scott and Erik are joined by photographer Mary Bel for blind photo critiques! Tune in to get their unique perspectives and feedback on viewer-submitted images and see what you can apply to improve your own work.
New KelbyOne Course: A Photographer’s Guide to Bar Mitzvahs with Jefferson Graham
Considering adding photographing b’nai mitzvah to your income stream? Join Jefferson Graham to learn all the fundamentals you’ll need to get started with this lucrative event photography opportunity. In this class you’ll gain an understanding of what a bar or bat mitzvah is if you’re unfamiliar, how to pose subjects indoors and out, the key moments to add to your shot list for the ceremony and party, post event considerations, how to get your foot in the door for being hired, and so much more. Jefferson even brings in the perspective of another professional bar and bat mitzvah photographer to gain further insight.
It’s #TravelTuesday and I, Dave Williams, am here once more with something from the world of travel photography. This week is all about gear but first of all, I hope you all enjoyed last nights Facebook outage! I had a wonderful time on Twitter.
Let’s talk tech. I want to preface this blog by highlighting this Facebook post: –
I’ve anonymised it and I haven’t included the image, which was a lovely shot of a USAF F-15 from RAF Lakenheath. But here’s my problem. Imagine the post looked like this instead: –
Dave: That’s a lovely stir fry! What wok do you use?
Scott: Many thank. It’s an older Calphalon Signature 12-inch.
You see my point without me having to elaborate, right? What is it about us as photographers that makes us so obsessed with gear, and when does it actually matter?
I’m trying to learn 360 photography at the moment and for that, it matters. I could use any camera and shoot in every direction from one fixed point, then load the images into Adobe Photoshop and stitch them into a sphere. Or I could use a 360 camera and just get it done in one go. That’s an example of when gear matters. It isn’t the end of the world – I could’ve worked without it – but it helped me a lot having a 360 camera.
An emerging wedding photographer looking to really blow their bokeh might be looking to get a lens with a wider aperture. It’ll cost more than other lenses, it’s a good addition to the kit bag, but ultimately that photographer could continue using a low aperture lens that they already own.
I guess it’s all about what we want versus what we need. What is going to make our life easier? What is going to make our job easier?
But let’s get back on track. The photo was taken by the camera; I’ll take the opportunity to point that out right now before anyone raises any technicalities. But who actually took the photo? Who observed the scene, gauged the light, noted the size, speed, shape of the approaching subject, ensured the correct lens was attached, dialled in the settings, panned with the motion, processed the image and uploaded it to Facebook? It wasn’t the Fuji X-Pro 2, it was ‘M’.
When adding gear to your arsenal, take a moment to consider what value it actually brings. If it makes your life easier, adds value, or it makes you look cool, go for it. But remember, the gear isn’t making the photos, you are.
It’s a tiny, nearly flat bubble level that sits right on your camera’s hot shoe mount for getting your horizon lines straight (something a lot of folks struggle with).
I got this a couple of years ago and I love it. I love that it’s so small, and such a great deal, and I can just leave in sitting right there in my hot shoe all the time (well, at least until I need to put a flash transmitter up there).
We are very excited to announce a new two-day, two-training-track, all online conference November 2, 2021 with an incredible team of instructors and it’s all to help you create your best portraits yet. We just announced the conference and hundreds of photographers have already signed up, and you can can too (it’s open to everyone), and if you sign up now, you’ll save a ton with our Early Bird special ticking pricing.
Best of all – the entire conference is archived for a full year so you can catch any sessions you missed or rewatch any sessions, any time – all streamed on demand for a year That is sweet! :)