Breaking Through Sports Composite AND Design A High-Impact Sports Graphic with Corey Barker
In the first part of this exclusive design bundle by Corey Barker you’ll be guided step-by-step through the process of creating a composite image of a soccer player appearing to kick a ball through a glass window. One of the greatest aspects of a composite image is that it allows us to create scenes that would be too dangerous or impossible to do in real life. Download the practice files and follow along as Corey demonstrates how to blend each element of the final composite into a dynamic sports graphic. You’ll learn techniques using masking, 3D, layer styles, and more along the way.
In the second segment of this exclusive sports design bundle, you’ll be guided, step-by-step, through the completion of a high-impact sports design graphic. The creation of this composite image involves a wide array of Photoshop tricks and techniques that you can apply to many different projects. In this class you’ll use layer styles, custom brushes, 3D design, lighting effects, extractions, selections, and more. Be sure to download the practice files and follow along as Corey teaches you what’s possible when you experiment, create, and have fun in Photoshop.
In Case You Missed It: Advanced Compositing in Adobe Photoshop
Get ready to take your compositing skills to the next level! Join Corey Barker as he steps you through the creation of a fantasy composite image, from extracting the subject though the final touches. Whether you are using an older version of Photoshop or the latest, you’ll learn how to cleanly extract your subject from the source image, how to build a background environment around your subject, and how to blend all of the elements together using lighting and atmospheric effects to create a believable composite image with impact. Corey will show you ways to use Photoshop that you’ve never thought of before, and he wraps up the class with cool tips for adding text and blending non-human objects into your composite.
First, I’d like to thank Scott and Brad for having me back on Photoshop Insider. It’s always an honor – and a lot of fun to be here! Second, I’d like to thank YOU for stopping by today. Third, whew! I feel much better getting 40 books out of my head!!
So here’s the deal: A new filter, camera, lens, tripod and speedlite can surely help you make better photographs – but they can’t necessarily make you a better photographer.
That’s where my 40th book, Photo Therapy Motivation and Wisdom – Discovering the power of pictures, comes in. Understanding why and how we are motivated to make pictures – and what your photography means to you – is of the utmost importance. So is learning about emotional intelligence for photographers, how to steal like an artist, realizing that it’s never to late to be who you might have been, and understanding the difference between looking at seeing. Exploring light and color therapy also helps.
All those topics and much more – including my 40 quick-tip “Sammonisms” and 20 “missions” (self assignments) – are covered in my latest book.
Unlike my other 39 photo-rich books, Photo Therapy Motivation and Wisdom – Discovering the power of pictures has no photographs between the covers. Yet, I feel as though it is my most important work. I trust this book will make you think – hard – about your photography, and about how using your brain, the best photo “accessory,” will help you become a better photographer. Or as stated by black-and-white landscape photographer Ansel Adams, “The single most important component of a camera is the twelve inches behind it.”
Famed photographer Lewis Hien said, “If I could say in words what I say with my pictures, I would not have to lug around a camera.”
It’s not that I am tired of lugging around a camera. It’s just that I think the motivational and inspirational message of this book is better expressed without showing my own pictures. Rather, in reading the 35,000-word text, I’d like you to imagine your own pictures – and potential pictures – while I am describing a situation, process, technique, feeling or emotion.
Well-known photo educators, who also believe in the power photo therapy, contributed to my latest work. They include: Art Wolfe, Trey Ratcliff, Scott Bourne, Skip Cohen, Richard Bernabe, Randy Hanna, Ron Clifford, Denise Ippolito, Derrick Story, Jonathan Scott (The Big Cat Man), and Steve Brazill.
Before I get going here, this is how I looked while writing 35K words… and after!
Here are a few chapter excerpts from the text-only book. Enjoy!
Chapter 3: Photography Can Improve Your Health and Sense of Wellbeing
If you are seeking creative ideas, go out walking. Angles whisper to a man who goes for a walk.
Photography, for the most part, involves exercise – walking around a bustling city, hiking a wooded trail, hiking up a mountain path, making footprints on a sandy beach and so on.
Those activities can help us burn calories and build muscles – if we walk as if we are going somewhere, as opposed to just strolling along. Add a camera backpack filled with gear, a tripod and a bottle of water, and that extra weight causes us to exercise a bit more strenuously which can be a good thing if we want to keep in shape.
#TravelTuesday and ScottKelby.com combine means one thing – I’m here! I’m Dave Williams and each week I step in to give Scott a little break and offer you something from the world off Photoshop, Photography, Travel or Life. Today it’s about life, and I want to share three little quirky incidents from the past couple of weeks while I was in Utah, Arizona and Nevada following an epic Photoshop World Conference.
Story #1 – the Area 51 thing
So, towards the end of the trip I was in Hurricane, UT, not far from Zion National Park, and throughout the entire trip I was with Siân Elizabeth. We were in the car at about 11:30pm and driving west towards our classy hotel, the Days Inn, and something strange happened. Straight in front of us, high up in the sky, a bright, white light moved from way high on the left, straight down to the Earth on the bottom right. We both saw it and a moment of silence in the car was broken by us both saying, “did you see that?!”
The strange light in the sky was too slow and long for a shooting star, too fast for a plane, and too coincidentally directly above Area 51 (some 150 miles straight in front of us) to be anything other than Paul. That’s right, I made a movie reference to an alien – because it must have been, right?
If you’ve seen the incredible work of Erik Kuna you’ll know that space is humungous and personally I don’t think there’s any where we’re alone here. This was cool, but it put me on edge a little, wondering if it had seen me see it, and I watched my back for a few days!
Story #2 – for the gram
So, back-track a few days and we were in Monument Valley. The place is phenomenal – a truly exquisite work of art by Mother Nature. I’d seen Monument Valley by night but now, having spent a couple of days exploring, I can honestly say it is a magical place that captivated my pants off. One evening whilst on the Monument Valley Loop Drive shooting the area at sunset and into twilight and beyond we came across a pull-out with a rather large rock in the middle of it, roughly the size of an ambulance and perhaps a little bit taller.
As we approached the rock there was a car parked tight up against it and a little flashing light from a cell phone atop it. Wondering whether I was about to be lured into a trap (then remembering where I was, so likely not) I tentatively pulled up close by and rolled down the window and shouted out to see if all was ok. Turns out all was not ok and a young girl was stranded on top of the rock with her mother in the car beside it and they’d been there a good few hours because the girl wanted to get up on top to shoot a little video ‘for the gram.’ The video, I’m sure, went really well and she probably got lots of likes, but she was now stuck!
Being the gentleman that I am I was now in a position where I had to rescue the poor girl. I had her sit down and shimmy down the side of the rock until her feet landed on my shoulders before dramatically swooping her to the safety of terra firma, then exchanged a quick few pleasantries before getting back on with shooting the dramatic landscape, not quite sure what had just happened. All in a days work for a travel photographer, right?
Story #3 – the growler
This one shook me, I’ll be honest.
Siân and I were shooting the Red Reef Trail of Red Cliffs Recreation Area in Utah, also known as Cottonwood Canyon, when we came up against a little hurdle. It was all going really well – I’d found a cool cave to shoot out of for great framing, but unfortunately it was so hot that the river had dried up and there were just a few puddles left where the waterfalls had previously cascaded. The tier system of the canyon was cool to shoot anyway so we trekked further and further up the gorge. We reached a section which had a rope attached to the canyon walls so that people could climb up to the next stage and I went up there, with Siân instead electing to stay down at the previous stage and shoot the little frogs around the water.
I was up safely and walking along the canyon about 1/4 mile from where I’d left Siân and reached a fork. The left section stretched off into the distance, and the right section quickly turned a corner and out of sight. At the fork there was a cool depression in the ground containing the driftwood that had been carried down the now dry river, so I got myself all set-up to shoot it as the foreground of what would’ve undoubtedly turned into an awesome composition. I’ll never know what that photo turned out to look like however, as when I was bent over getting my camera ready I heard a few thuds on the slope up the canyon walls immediately to my left where the canyon was shallower and covered in boulders and bushes.
The thuds, perhaps 3 or 4 of them, immediately grabbed my attention in the silence of the canyon and I stood and turned to face the direction they’d come from. I saw nothing among the terrain but a few seconds later were two more thuds, one accompanied by what I can only describe as a grunt, as if something had accidentally engaged it’s vocal chords and exhaled upon landing.
The entire time we were on the road trip there was talk of what we may see in the wilderness, from snakes and scorpions to bears and cougars. The cougar, or mountain lion, is what I saw in my mind when I heard the grunt, and I kept my eyes focussed on the slope of the canyon wall while gathering my things and walking slowly but purposefully back the way I had come from. Concerned about being followed, and more concerned about alarming Siân, I got back to her and told her it was time to leave. I obviously wasn’t very discrete while I was walking behind her and kept checking my back because she soon figured out that something was up, but we got out of there pretty sharpish!
My three little stories of strange happenings whilst in the States are all part of the experience (and fortunately I wasn’t cat meat, nor did I get probed) and part of the reason why I love travel. From travel I get so many awesome experiences that I wouldn’t otherwise get.
Some people say that I’m lucky, but in response to that I think that luck is a what happens when preparation meets opportunity. I prepare and I search for opportunities, and I strongly urge you all to do likewise because when that luck strikes it’s a fulfilling, inspiring experience that often results.
It’s taken me a few weeks to get these together — I was on a critical book deadline, but the book is done, and there’s time for fun (that would make such a great start for a “book author’s rap song”).
We also wound up in Belfast, Ireland and Iceland for day as well, so I threw a few of those shots in as well.
Have you signed up to join your local Photo Walk yet?
Now’s the time! We have approved nearly 900 cities so far around the world to host photo walks as part of my 12th Annual Worldwide Photo Walk on Saturday, October 5, 2019. Click here to go to the official site and see if there’s a walk organized near you. If not, maybe you should be the one to lead one? Click the same link for details on leading a walk.
This is going to be a great day, and an awesome week!
Let’s make the most of it. Hope yours is a great one!
There are only four basic steps, and Scott gives you everything you’ll need to get started doing this right away. From converting to B&W to a variety of techniques for making selections, Scott gives you the foundational skills you need, then he wraps up the class with a start to finish project to help you see how it all comes together. He even provides practice files you can download and follow along.
In Case You Missed It – Fine Art Photography: Creating Large Format Prints
Throughout the class Steve shares tips, tricks, and techniques for working in Lightroom, Photoshop, and with all of the materials used in creating the final print. Creating a fine art print is all about bringing your vision to life in a print, and by exploring a variety of finishing options that fit your style you can add value to your work and make it stand out from all of the rest. The second course in this series that deals with marketing your prints is coming soon!
It’s been a while since I’ve bought a new lens, so…ya know…I was due. LOL! This is my first in Canon’s mirrorless R-mount line of lenses that match up with its EOS R mirrorless bodies. It’s the just-released 24-240mm f/4-6.4, and this is my new travel lens.
Here’s why I bought it:
(1) I can get my travel rig down in weight considerably, because I won’t be lugging my heavy 70-200mm f/2.8 with me to China next week. Just this lens, and my 16-35mm f/4 (which will hopefully be replaced with a soon to be shipping 15-35mm R-Mount lens).
(2) I won’t have to use the Adapter with this new lens since it’s built for the EOR R mirrorless.
(3) From the reviews I’ve read, it’s absolutely tack-sharp edge to edge! The lenses Canon has been releasing for their mirrorless line have been crazy sharp, and one review I read said it was so good it was worth switching to the EOS just for this lens.
(4) B&H had a killer deal on it — $899. Boom! Done.
(5) Back when I was shooting Nikon, I loved their 28-300mm as my travel lens, but since my switch to Canon six years ago, they haven’t had anything with a similar size and weight, so I got a Tamron 28-300mm that I really like and used a bunch, but this new lens is actually wider, which I love. It’s 24mm rather than 28mm. I can crop the 240mm long end just a little and get to a 300mm equivalent, but you can’t make a 28mm any wider, so starting with a 24mm is a big, big plus in my book.
(6) I love the smaller size. Works great with my Think Tank Photo sling bag. Much better fit than my 70-200mm that’s for sure.
Here’s what I wish were different:
(1) It’s an f/4 to f/6.3, and I would have preferred an f/3.5 to f/5.6. Not a deal breaker, but I’d prefer the variable range I had with my Tamron and Nikon.
(2) Get this — you don’t get a lens hood with it. You have to buy it separately for $35. Oh. Come. On!
I’ll do a field report soon
I’ll have some shots from China soon with it, and I’ve got a location portrait shoot on Monday so I’ll probably bring it as well, and I’ll let you know what I think of it once I take it through its paces.
See what you missed in Vegas!
Check out this video put together by our video crew with highlights from the recent Vegas Photoshop World. If you didn’t get to go, this is what it was like!
We’re one month away from my Worldwide Photo Walk
Well, technically yesterday was one month away because it’s Saturday, October 5th in 1,000+ cities all over the world. It’s free, it’s fun, you oughta come (Hey, that rhymes!). Here’s where to go to see if there’s a photo walk already organized near you (link). If you’re thinking, “What the heck is the Worldwide Photo Walk?” then watch this video (below).
Very Cool Video on Where to Photograph Jets at LAX
Our buddy and rockin’ guitarist Jefferson Graham has been doing a Photowalk series where he shows you cool places to shoot photo walk style, and recently he did a really cool one on where to photograph the big jets coming through LAX. If you’re in photo walks and you’re not following Jeff’s new youtube series, you oughta! Check out his “Hidden LAX” video below and don’t forget to subscribe to his page: Jefferson Graham Photowalk.
Come spend the day with me in Nashville in a few weeks
My “Ultimate Photography Crash Course”full-day seminar is coming to Nashville on Wednesday, Sept. 25th at the Music City Center. It’s just $99 for the full day – includes a detailed workbook of my note, plus it’s100% money-back guaranteed if it’s not the best photography seminar you’ve ever been to, at any price. period. Tickets and details at KelbyOneLive.com (get your tickets now – my Boston seminar last week sold out in advance).