Monthly Archives December 2018

Back in October, I got the chance to revisit one of my favorite cities — beautiful Rome, Italy. This time I was there to teach a travel photography workshop with my friend and colleague Mimo Meidany. I finally (finally!) got around to picking my favorites and today I’m sharing them on an Adobe Spark page.

Here’s the link to my images as seen through an Adobe Spark photo story (with behind-the-scenes stuff, too) if you’ve got a sec:

Thanks for giving them a quick look. :)

Have a great weekend everybody — I’m off to shoot the Dolphins game this weekend, and then on Monday I’m doing my last seminar for the year — it’s my “Photoshop for Lightroom Users” full-day seminar – this time in Ft. Lauderdale, Florida. Hope you can come out and spend the day with me. Tickets and info here.



Unlocking the Secrets of the Black and White Masters: Classic Techniques for Creating Black and White Images with Serge Ramelli
Learn how to create amazing and dramatic black and white photos in Lightroom! Join Serge Ramelli as he pays homage to the masters of B&W photography by teaching you his tips and tricks for creating compelling B&W photos. Serge shares his techniques for dodging and burning, working with high key B&W, creative uses for panoramic merging, converting high ISO images, creating and applying presets to save time, and so much more. Serge shares some of his own Lightroom presets to get you started.

In Case You Missed It
Join Serge Ramelli as he shares his secrets to creating amazing cityscapes. Great cityscapes start with great captures, and Serge begins the class with a discussion of camera settings and his approach to being in the right place at the right time. After the photo is taken, Serge steps through his editing workflow in Lightroom. Starting with the global edits that lay the foundation for a strong cityscape, Serge moves on into a detailed look at how to use all of Lightroom’s local adjustment tools to take your photos to the next level. Whether you are shooting with a DSLR or smart phone, and from stitched panoramas to merged HDR, Serge shares the tips and techniques that you can use in all kinds of situations.

[Editor’s Note: If you’re interested in taking a landscape photography workshop with Ramtin Kazemi and Scott Kelby next month in the Canadian Rockies, there’s a registration link and a discount code at the end of this post!]

5 Tips To Help Us All Make Some Awesome Landscape Photos This Winter

Hey Everyone,

Ramtin Kazemi here! Just wanted to share some tips with you all about making the most of your landscape photos if you have a minute.

We’re all on the go. More and more people are traveling the world because of the transportation and technology that’s available to us now. As photographers, we want to capture and share its beauty with everyone. I don’t blame us; it’s what we’re born to do. But, in order to get the photograph that is unique and has your signature on it, we must venture out.

Places like Iceland have increased their tourists and visitors by millions. The thing about these locations is that the same composition has been shot a million times. This is why I venture out to find the right spot with unique compositions and photographic opportunities. The best part about this is that some of these locations aren’t hard to get to at all. In fact, some of my best shots in my portfolio that are my personal favorites were shot literally 5 minutes from where everybody else stood. All you need to do is to put a little bit of extra effort into it with your composition which I’ll get to in a sec but, first planning is a big part of successful landscape shoots yet not enough people talks about it.


Scouting and planning is the start of a successful landscape photograph. As landscape photographers, our main light source is the sun (or moon) and the weather has a huge impact on when and where we can shoot. I sometimes spend days walking around before I even get my camera out. It takes time, passion and patience

In order to scout a location properly, we must understand some key elements. First, we have to figure out when and where we’re going. Seasons change things dramatically, so once we figure out what our goals are, we can decide when to travel. For example, if you wanted to have wild flowers in your foreground with snow-covered mountains in the distance in Switzerland, you might want to go there late spring/early summer. Or if you wanted to photograph the Northern lights in the Yukon, the best time to travel is winter and the shoulder seasons around winter.

Let’s say that you know where and when to travel. Next step would be to understand the light and the sun/moon. Where and when does the sun rise and set? What about the moon? Wait, don’t worry, there’s an app for that! I personally use Photo Pills. It gives me all the information that I need, including the position of the Milky Way, stars and the moon at a given time. And use Google Earth! Even Google maps is a very useful tool because you can see exactly where you’ll be standing and which way you’ll be facing when it’s time to shoot.

Next, I need to talk about dressing appropriately for weather. It might sound silly, but these details are very important and, believe it or not, some of the most common mistakes are silly ones. So, understanding the location, position of the moon, sun and stars, understanding weather and cloud formations at a given time of year, preparing both your body and your soul, and finally studying your composition and your spot before you put your tripod down.

Once all is set and you are on location in the field, then it’s time to figure out where you’re going to position your tripod. Use your camera’s viewfinder and walk around until you’re happy with a composition using the tips that I’m going to give you below.  (more…)

Hello, and welcome! It’s #TravelTuesday here at Scott Kelby’s Photoshop Insider, which of course means that I, Dave Williams, am here, in your face, loud and proud with some industry nuggets of gold to share with you!

First off, news time:

Workshop – If you’re up for a workshop in Iceland, I’ll be running one this summer alongside my brother from another mother, Peter Treadway. Keep your eyes peeled over on my social media (@capturewithdave) for more info!

Webinar – On January 5th, on the amazing Photoshop and Photography Facebook Group, I’ll be hosting a webinar all about drones and drone photography. It’ll go live at 9 p.m. UK time, 4 p.m. EST, and 1 p.m. PST.

Photowalks – Following the awesome time we all had in London on our recent photowalk, it is my intention to run more! The good folks at BlackRapid thought this was a brilliant idea, and they’ve thrown a whole bunch of straps my way to give away at future photowalks. So, if you’re in London (or willing to get there), watch my social for more walks!

Seminar – Sorry to those of you in the USA and the rest of the world, but here’s another UK one: – In the new year, I’ll be hosting a seminar at the Sim Imaging gallery in Hatfield, Herts, and it’d be great to have you there! Again, details will go live over on my social.

So, the blog!

There are Christmas markets dotted throughout the world right now and they bring an amazing atmosphere, beautiful decorations, and sparkly lights.

The best time to take Christmas photos is during the hours of darkness when the decorations and displays are enticing and almost magical. I highly recommend that you get out and find a Christmas market or two, and get some awesome shots yourself!

Now, you and I know that rules are meant to be broken, so I’ll start with a rule-breaking example from Riga, Latvia. Christmas photos may be best at night, but that doesn’t mean they must be taken at night. Take a look: –




But, when we are shooting the Christmas markets and decorations at night, we need to consider the light and the action, as well as the detail.



Capturing those actions is a great opportunity to play with long exposures. With this giant Ferris wheel, I’ve taken an exposure of a few seconds to capture the movement in a very slight trail of light. It’s only possible to do this with a solid base, such as a tripod or Platypod, but carrying that extra piece of kit with you is totally worth it when you see the results.



This shot is inside the Brandenberg Gate in Berlin, Germany. When shooting a location at Christmas it’s worth incorporating the location to give the viewer a sense of place. In this image, I’ve got that hint of Christmas from the tree in view, just slightly tucked away, adding a little festivity to an otherwise ordinary scene.



At the other extreme, you can go full-on Christmas mode! In this shot, I’ve filled the entire frame with two trees, one foreground and one background element, giving the viewer an overwhelming yet beautiful feel for the season.



Going back to the sense of place, this time the situation is reversed in that the place becomes part of the Christmas scene, rather than the other way around. Christmas has clearly taken over here and overcome its surroundings, but highlighting those surroundings in amongst the action makes for a winning shot.

So, now that the Christmas holiday season has landed, spreading joy, peace on earth, and goodwill to all men, etc., etc., get out there with your camera and capture it!

Much love


One of our recent winners works for the police dept. in the UK. One is an Anesthesiologist. One drives trains on the Long Island Railroad. Our next winner could be you.

I’m happy to announce that entries are now open for our gallery competition, and the winner gets their own solo gallery showing at The Gallery at KelbyOne, in Tampa, Florida, (including airfare and hotel for you and a guest).

If you’re thinking there’s no way you could win, that’s exactly what all over previous winners said. The only way you don’t have a chance is if you don’t enter.

Here’s a quick one-minute video with some details:

Here’s how to enter: 

  1. Here’s where you submit a link to your portfolio, or Facebook album, or Flickr page, or online gallery – (we’re looking for a body of work – at least 20 images) Note: this competition is only open to KelbyOne Pro members.
  2. From the submissions, we will choose a single winner. It could be you. If it is, we’ll fly you and a guest (from anywhere in the world) to the gallery in Tampa, Florida for a solo gallery showcasing your work, where we’ll feature approximately 18 of your images, beautifully printed and displayed by Bay Photo Lab using their amazing Xpozer system.
  3. The evening of the opening, you will welcome the crowd to a wine and cheese reception held in your honor that evening in the gallery where they can see your work, and get a chance to chat with you in person.
  4. Following the reception, we’ll move to our theater for an interview with you about your work, your life, your inspirations, and well…you. It will be streamed live around the world (along with behind-the-scenes images of the opening, and photos of your work).
  5. When it’s all over, you will receive all the prints from the exhibition (courtesy of Bay Photo Lab), and one of your images will be added our permanent collection, so future visitors can get see one of your winning gallery images.
  6. The deadline for submissions is December 15, 2018, at 11:59 PM EDT.

Have questions?
Here’s the link to an earlier post with a detailed Q&A on how this all works.

Hope we’ll be welcoming you to your own gallery show very soon. Good luck everybody!

One more thing…
We’ll wrap up with some photos from earlier gallery contest winner’s gallery openings:

Hope this inspires you to enter (hey, ya never know) and that it starts off your week right.



P.S. I’m in Atlanta tomorrow with my ‘Photoshop for Lightroom Users’ full-day seminar. It’s not too late to come out and spend the day with me learning some really cool Photoshop stuff. Tickets and details here.